Change of Exhibits,TNM Collection Exhibitions: Starting from May 12, 2026 (Tue)
TNM Collection Exhibitions at Tokyo National Museum are rotated almost every week. This page provides the latest information on the change of exhibits.
* Some works are exhibited for a longer period of time.
Japanese Gallery (Honkan)
Prints and paintings called ukiyo-e were the first genre of art enjoyed by common people on a large scale. Economic growth contributed to the creation of this genre in the 17th century. As living standards improved, common people developed an urban culture that was passionate about trends, fashion, and entertainment.
At first, ukiyo-e depicted the celebrities of the day, especially actors of the kabuki theater and courtesans of the pleasure quarters (the legal brothel district). The subject matter later expanded to include topics like seasonal festivals, travel spots, and landscapes.Techniques for making ukiyo-e also changed over time. Early ukiyo-e were painted by hand. Artisans later started carving images into blocks of wood and used these blocks to print ukiyo-e in large numbers. These black-and-white prints were much more affordable. As carving and printing techniques were refined, prints with a brilliant range of colors became possible.
Every year, the Tokyo National Museum holds a joint thematic exhibition related to animals together with other institutions in Ueno. Along with the Ueno Zoological Gardens and the National Museum of Nature and Science, we are proud to introduce this year’s thematic exhibition on baku. Baku are mythical creatures long known in East Asia who share a similar look with tapirs from the mammal class. With elephant-like trunks, baku are believed to devour nightmares. This exhibition presents paintings and books, along with pillows and mirrors decorated with baku motifs used to ward off evil. Through comparison with the real-life tapir, we invite you to explore the form and imagery of the legendary baku.
Asian Gallery (Toyokan)
This room mainly features artifacts discovered at Silk Road sites by the Japanese Ōtani expeditions at the start of the 20th century. Works are exhibited on rotation and illustrate the wide range of art and religious objects found in the diverse cultures along the Silk Road.
From majestic lions and deer to delicate dragonflies and grasshoppers, the people of China have long cherished a diverse array of creatures, portraying them as auspicious symbols in painting. Artists have dedicated themselves to capturing the vitality of life—the glossy texture of fur, the beauty of plumage, and even the subtle movement of antennae. Spanning the Yuan dynasty (1271–1368) through to the modern era, this gallery introduces the vibrant tradition of depicting living things in China from the 14th century to the 20th century.
The current exhibition features examples of such copies here from the Qing dynasty (1644–1911) to the 20th century, as well as rubbings of steles that were considered classics. Here, you can appreciate how different scholars interpreted the classics and their varied approaches towards the calligraphic art of copying.
The literati were people who devoted themselves to reading, calligraphy, painting, and other highly valued art forms in China. Their way of life was viewed as an ideal. This exhibition room recreates the studies of the literati, where they created works of calligraphy and painting.
The Gallery of Horyuji Treasures
Wooden and lacquered objects include examples of Buddhist ritual implements, furnishings, musical instruments, stationery, measuring tools, and arms & armor, which range in date from the 7th to 17th century. Among these are notable pieces from the 8th century like the Bamboo Cabinet, which was donated by the famous Hōryūji priest Gyōshin, and a sutra box decorated with marquetry that shows the beautiful grain patterns of its jinkō wood. The Seven-stringed Zither is also valuable for its ink inscription, which tells us it was produced in China’s Sichuan Province in 724. The inscriptions on the pieces of incense wood in this collection also have revealed important facts about Persia’s involvement in the trade of such wood. Through these works one can not only see the culture of Japanese decorative art but can also get a sense of the cultural exchanges that occurred within East Asia centuries ago.
The works of calligraphy held in the Gallery of Horyuji Treasures primarily consist of records donated to the temple by Empress Kōken (713–770), works imported from China during the Tang dynasty (618–907), and Horyuji Temple’s records of daily events as well as legends concerning Prince Shōtoku.
The textiles held in the collection date from the mid-7th to 8th century and consist mainly of Buddhist ritual banners (ban), table mats (joku), and robes or other clothing worn by monks. The textiles also include fragments whose original uses are unknown, including rare ancient textiles, such as warp-faced compound weaves, tapestries, warp ikat fragments, complex gauze (ra), and plain- and twill-weave silks.
Dyed fabrics include examples of all three major dyeing techniques form the 8th century: tie-dyeing in a dot pattern (kōkechi), wax-resist dyeing (rōkechi), and clamp-resist dyeing (kyōkechi). The collection also features examples of early embroidery, braiding, and rugs.