November 9, 2019 (Sat), Japanese Gallery (Honkan)

The original Japanese Gallery (designed by the British architect Josiah Conder) was severely damaged in the Great Kanto Earthquake of 1923. In contrast to western style of the original structure, the design of the present Honkan by Watanabe Jin is the more eastern "Emperor's Crown Style." Construction began in 1932, and the building was opened in 1938. 24 exhibition rooms on two floors provide a thorough introduction into Japanese art: "Highlights of Japanese Art" on the second floor introduces the development of Japanese art from Jomon through to the Edo period in a chronological manner, and genre galleries presenting specific rooms displaying ceramics, swords, lacquerwares, sculptures, modern decorative arts as well as the material culture of Ainu and Ryukyu are located on the first floor.

Highlights of Japanese Art(PDF)

2nd floor "Highlights of Japanese Art"

The Dawn of Japanese Art: Jomon, Yayoi and Kofun periods

2nd floor "Highlights of Japanese Art"
Room 1

June 25, 2019 (Tue) -
December 25, 2019 (Wed)
The Arrival of Buddhism | 6th–8th century

2nd floor "Highlights of Japanese Art"
Room 1

October 8, 2019 (Tue) -
November 17, 2019 (Sun)
National Treasure Gallery: Gunsho chiyo (C. Qunshu zhiyao) Volume 26

2nd floor "Highlights of Japanese Art"
Room 2

October 29, 2019 (Tue) -
November 24, 2019 (Sun)
The Arts of Buddhism | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

October 22, 2019 (Tue) -
November 17, 2019 (Sun)
The Arts of the Imperial Court | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

October 8, 2019 (Tue) -
November 17, 2019 (Sun)
Zen and Ink Painting | 13th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

October 22, 2019 (Tue) -
November 17, 2019 (Sun)
Tea Ceremony

2nd floor "Highlights of Japanese Art"
Room 4

September 10, 2019 (Tue) -
December 1, 2019 (Sun)
Arms and Armor of the Samurai | 12th–19th century

2nd floor "Highlights of Japanese Art"
Rooms 5 & 6

August 27, 2019 (Tue) -
November 17, 2019 (Sun)
Paintings on Folding Screens and Sliding Doors | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 7

October 8, 2019 (Tue) -
November 24, 2019 (Sun)
Decorative Arts | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

October 29, 2019 (Tue) -
January 26, 2020 (Sun)
Painting and Calligraphy | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

October 8, 2019 (Tue) -
November 24, 2019 (Sun)
Performing Arts: Noh Robes from Kasuga Shrine in Seki

2nd floor "Highlights of Japanese Art"
Room 9

October 22, 2019 (Tue) -
December 25, 2019 (Wed)
The Art of Fashion | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

October 22, 2019 (Tue) -
December 25, 2019 (Wed)
The Art of Ukiyo-e | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

October 22, 2019 (Tue) -
November 17, 2019 (Sun)

Deep Bowl with flame-like Ornamentation, Attributed provenance: Umataka, Nagaoka-shi, Niigata, Jomon period, 3000–2000 BC

The Dawn of Japanese Art: Jomon, Yayoi and Kofun periods

2nd floor "Highlights of Japanese Art"
Room 1

June 25, 2019 (Tue) - December 25, 2019 (Wed)

The roots of Japanese aesthetics can be seen in earthenware from the Jomon and Yayoi periods, as well as in dogu (small earthen figurines from Jomon period), dotaku (bronze bell-shaped ritual item from the Yayoi period), haniwa (terracotta figures from the Kofun period) and bronze mirrors (used as symbols of authority in the Yayoi and Kofun periods).

Current exhibit includes:
Deep Bowl with flame-like Ornamentation, Attributed provenance: Umataka, Nagaoka-shi, Niigata, Jomon period, 3000–2000 BC
Dotaku (bell-shaped bronze), Crossed bands design, Excavated from Oiwayama, Koshinohara, Yasu-shi, Shiga, Yayoi period, 1st–3rd century (Important Cultural Property)
Haniwa (Terracotta tomb object), Monkey, Attributed provenance: Dainichizuka Tumulus, Namegata-shi, Ibaraki, Kofun period, 6th century (Important Cultural Property)

Ritual Objects Used to Consecrate the Site of Kohfukuji Temple, Eight-Lobed Mirror with Design of Auspicious Flowers and Paired Phoenixes, Excavated from under altar of Main Hall at Kohfukuji, Nara, Tang dynasty, 8th century (National Treasure)

The Arrival of Buddhism | 6th–8th century

2nd floor "Highlights of Japanese Art"
Room 1

October 8, 2019 (Tue) - November 17, 2019 (Sun)

In the mid-6th century, Buddhism was officially introduced into Japan from the kingdom of Baekje on the southeastern coast of the Korean peninsula. Japanese culture made a remarkable progress with the adoption of Buddhism. This gallery features early Buddhist statues, sutras, reliquaries, and ritual implements from the 6th–8th century.

Current exhibit includes:
Standing Bodhisattva, Asuka period, 7th century
Sovereign Kings of the Golden Light Sutra, Vol. 7, Nara period, 8th century (Important Cultural Property, Lent by the Agency for Cultural Affairs)
Ritual Objects Used to Consecrate the Site of Kohfukuji Temple, Strips of Beaten Gold, Excavated from under altar of Main Hall at Kohfukuji, Nara, Nara period, 8th century (National Treasure)
Ritual Objects Used to Consecrate the Site of Kohfukuji Temple, Eight-Lobed Mirror with Design of Flowers and Paired Butterflies, Excavated from under altar of Main Hall at Kohfukuji, Nara, Nara period, 8th century (National Treasure)
Ritual Object Used to Consecrate Site of Kohfukuji TempleLarge Silver Bowl, Excavated from under altar of Main Hall at Kohfukuji, Nara, Nara period, 8th century (National Treasure)

List of Exhibits

Gunsho chiyo (C. Qunshu zhiyao) Volume 26 (detail), Heian period, 11th century (National Treasure)

National Treasure Gallery: Gunsho chiyo (C. Qunshu zhiyao) Volume 26

2nd floor "Highlights of Japanese Art"
Room 2

October 29, 2019 (Tue) - November 24, 2019 (Sun)

This room is specially designed for the comfortable viewing of masterpieces in a tranquil setting. With each rotation, one exceptional work of painting or calligraphy designated as National Treasure will be presented. The selections come from the Museum's collection or works that are on loan to the Museum.

List of Exhibits

Life of Prince Shotoku (detail), Nanbokuchō period, 14th century (Gift of Mr. Kawai Gyokudō)

The Arts of Buddhism | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

October 22, 2019 (Tue) - November 17, 2019 (Sun)

Buddhist art is one of the major genres that define Japanese art. Many masterworks date from the late Heian period, a time characterized as classical in Japanese art history. After the Kamakura period, Buddhist art further developed in its materials, methods, and styles as Zen schools and other new Buddhist schools emerged, together with the influence from the Chinese arts. This exhibit features artworks from the Heian to Kamakura periods, when Buddhist art most flourished, adding siginificant objects from the Nanbokucho and periods.

Current exhibit includes:
Life of Prince Shotoku, Nanbokuchō period, 14th century (Gift of Mr. Kawai Gyokudō)
Prince Shōtoku, Nanbokuchō period, 14th century (Important Art Object, Lent by Jikōmyōin Temple, Yamagata)
Volume 4 of the Lotus Sutra, By Taira no Kiyomori (1118–81) and Taira no Yorimori (1133–86), Passed down by the Maeda clan of Kaga, Heian period, 1171 (Important Cultural Property, Private collection)
Chapter 1 of the Innumerable Meanings Sutra (Called the "Kunōji Temple Sutra"), Heian period, 12th century (Important Cultural Property)
Head of a Monk's Staff, Found on Mount Dainichi, Toyama, Heian period, 11th century (Important Cultural Property, Private collection)
Head of a Monk's Staff, Heian period, dated 1142 (Important Cultural Property, Lent by Tesshuji Temple, Shizuoka)

Record of the Transmission of Teachings about the Collection of Japanese Poems Ancient and Modern, By Tō no Tsuneyori, Muromachi period, 1472

The Arts of the Imperial Court | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

October 8, 2019 (Tue) - November 17, 2019 (Sun)

The courtiers were strongly involved in the arts through the Heian and Muromachi periods, their aesthetic tastes playing a great role in Japanese art history. Literature works such as waka poems and other calligraphy written by courtiers, and e-maki narrative picture scrolls displayed in this room with decorative art objects.

Current exhibit includes:
Record of the Transmission of Teachings about the Collection of Japanese Poems Ancient and Modern, By Iio Sōgi, Muromachi period, 15th century
Record of the Transmission of Teachings about the Collection of Japanese Poems Ancient and Modern, By Tō no Tsuneyori, Muromachi period, 1472

Landscape (detail), Attributed to Shubun; inscription dated 1455 by Jiku'un Toren, Muromachi period, 15th century (Important Cultural Property, Gift of Mr. Yamamoto Tatsuro)

Zen and Ink Painting | 13th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

October 22, 2019 (Tue) - November 17, 2019 (Sun)

This gallery features works by famous artists of the landscape-painting genre, along with famous works of bokuseki (calligraphy by Zen priests).

Current exhibit includes:
Landscape, Attributed to Shubun; inscription dated 1455 by Jiku'un Toren, Muromachi period, 15th century (Important Cultural Property, Gift of Mr. Yamamoto Tatsuro)
Geju (Buddhist verse), By Ikkyu Sojun , Muromachi period, dated 1467 (Gift of Mr. Matsunaga Yasuzaemon)

Fan-Shaped Food Cups (Mukozuke) (detail), Mino ware, Oribe type, Edo period, 17th century

Tea Ceremony

2nd floor "Highlights of Japanese Art"
Room 4

September 10, 2019 (Tue) - December 1, 2019 (Sun)

This gallery highlights the way of tea through its various art works such as paintings and calligraphy, vases, vessels for kaiseki meals, kettles, tea caddies, and tea bowls.

Current exhibit includes:
Tea Bowl, Named “Tago no Tsuki (The Moon of Tago)”, Komogai type, Joseon dynasty, 16th–17th century (Gift of Mr. Hirota Matsushige)
Flower Vase with Elephant-Shaped Handles, Named “Akizuki (Autumn Moon)”, Muromachi period, 15th–16th century (Gift of Mr. Matsunaga Yasuzaemon)
Fan-Shaped Food Cups (Mukozuke), Mino ware, Oribe type, Edo period, 17th century

Armor (Gusoku) with a Two-Piece Cuirass and White Lacing, Edo period, 17th century (Gift of Mr. Tokugawa Yoshihiro)

Arms and Armor of the Samurai | 12th–19th century

2nd floor "Highlights of Japanese Art"
Rooms 5 & 6

August 27, 2019 (Tue) - November 17, 2019 (Sun)

Beginning with the sword which is the most important possession of a samurai, this gallery focuses on arms and armor, saddlery, attire of the warriors as well as their portraits and hand-writings.

Current exhibit includes:
Armor (Gusoku) with a Two-Piece Cuirass and White Lacing, Edo period, 17th century (Gift of Mr. Tokugawa Yoshihiro)
Outer Robe (Dobuku) with Wild-Ginger Crests and Ivy, Reportedly worn by Tokugawa Ieyasu, Azuchi-Momoyama period, 16th–17th century

Outing in Mountains and Fields (detail), By Yosa Buson, Edo period, 18th century (Important Cultural Property)

Paintings on Folding Screens and Sliding Doors | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 7

October 8, 2019 (Tue) - November 24, 2019 (Sun)

This gallery is dedicated to the genre of shohei-ga, which includes mural paintings, fusuma paintings and byobu paintings. The room is especially designed for an effective display of grand-scale paintings.

Current exhibit includes:
Outing in Mountains and Fields, By Yosa Buson, Edo period, 18th century (Important Cultural Property)

Boxes for the Shell-Matching Game with Scenes from The Tale of Genji (detail), Edo period, 17th century

Decorative Arts | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

October 29, 2019 (Tue) - January 26, 2020 (Sun)

The maturing of Japanese culture supported by the military and commoner classes continued throughout the Azuchi-Momoyama and Edo periods. This gallery introduces the craft of interior furnishings and daily utensils that adorned the life of the people during these periods.

Current exhibit includes:
Boxes for the Shell-Matching Game with Scenes from The Tale of Genji, Edo period, 17th century
Robe (Kosode) with Flowing Water, Plants, Pavilions, and Insect Cages, Edo period, 19th century
Mirror with Paulownia and Bamboo Branches, By Ao Ietsugu, Azuchi-Momoyama period, 1588
Large Dish with a Snowscape, Nabeshima ware, Edo period, 18th century
Chrysanthemum-Shaped Bowl with a Tiger, Bamboo, and Plum Tree, Imari ware, Kakiemon type, Edo period, 17th century (Private collection)
Dishes in the Shape of Papers with Waka Poems, Kenzan ware, Edo period, 1743

Old Temple Amid Mountains and Pines (detail), By Tanomura Chikuden, Edo period, ca. 1832 (Important Cultural Property)

Painting and Calligraphy | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

October 8, 2019 (Tue) - November 24, 2019 (Sun)

This gallery introduces the dynamic and multi-faceted world of paintings and calligraphy from the Azuchi–Momoyama to the Edo period.

Current exhibit includes:
Old Temple Amid Mountains and Pines, By Tanomura Chikuden, Edo period, ca. 1832 (Important Cultural Property)
Calligraphy in One Line, By Ryōkan, Edo period, 19th century (Gift of Ms. Takeuchi Shizuko)

Noh Costume (Nuihaku) with Pines, Wisterias, and Swallowtail Butterflies, Muromachi–Azuchi-Momoyama period, 16th century (Important Cultural Property, Lent by Kasuga Shrine, Gifu)

Performing Arts: Noh Robes from Kasuga Shrine in Seki

2nd floor "Highlights of Japanese Art"
Room 9

October 22, 2019 (Tue) - December 25, 2019 (Wed)

In this gallery, we are currently displaying noh costumes from a rare 16th-century collection. These costumes were discovered under a noh-theater stage at the Kasuga Shrine of Seki in Gifu Prefecture. They predate the Edo period (1615–1868), when the samurai government made noh into a ceremonial art form. In contrast to the lavish robes worn in later periods, the Seki noh costumes feature serene natural scenery and embroidered patterns on fabrics that were probably imported from China and Korea. Their distinctive qualities provide us with a sense of what medieval noh robes may have looked like.

Current exhibit includes:
Noh Costume (Suō) with Auspicious Symbols, Muromachi–Azuchi-Momoyama period, 16th century (Important Cultural Property, Lent by Kasuga Shrine, Gifu)
Noh Costume (Suō) with Flowering Plants and Poem Papers, Muromachi–Azuchi-Momoyama period, 16th (Important Cultural Property, Lent by Kasuga Shrine, Gifu)
Noh Costume (Nuihaku) with Pines, Wisterias, and Swallowtail Butterflies, Muromachi–Azuchi-Momoyama period, 16th century (Important Cultural Property, Lent by Kasuga Shrine, Gifu)
Noh Costume (Hitatare) with Paths, Chrysanthemums, Paulownias, and Cranes with Pine Branches, Muromachi - Azuchi-Momoyama period, 16th century (Important Cultural Property, Lent by Kasuga Shrine, Gifu)

Robe (Kosode) with Young Pines, Small Flowers, Deer, and Autumn Leaves, Edo period, 17th century (Important Cultural Property)

The Art of Fashion | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

October 22, 2019 (Tue) - December 25, 2019 (Wed)

Introduces the fashion of the Edo period townspeople. Enjoy comparing with the ukiyo-e works exhibited in the same room.

Current exhibit includes:
Robe (Kosode) with Young Pines, Small Flowers, Deer, and Autumn Leaves, Edo period, 17th century (Important Cultural Property)
Robe (Kosode) with Weeping Maples and Hats, Edo period, 18th century
Case (Inrō) with Three Monkeys, By Shiomi Masanari, Edo period, 19th century (Gift of Mr. Quincy A. Shaw)

"Ariwara no Narihira" from the Series One Hundred Poems by One Hundred Poets Explained by a Wet Nurse, By Katsushika Hokusai, Edo period, 19th century

The Art of Ukiyo-e | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

October 22, 2019 (Tue) - November 17, 2019 (Sun)

In the 17th century, painters started depicting the lives of commoners in a genre known as ukiyo-e. With the advent of new printing technology, these images began to be reproduced in high numbers, and ukiyo-e gradually spread to all layers of society. The addition of colorists to the publishers’ craftsmen also led to the birth of the color print in the mid-18th century. From October 22–November 17, 2019, this gallery displays images of Ebisu, the god of trade and fishermen who was worshipped for thriving businesses, and seasonal pictures depicting daily life in the western part of Edo. The exhibition also includes theater playbills, actor prints, views of the Saruwaka theater district, prints depicting ancient and medieval Japanese poetry, and autumn scenery.

Current exhibit includes:
"Ariwara no Narihira" from the Series One Hundred Poems by One Hundred Poets Explained by a Wet Nurse, By Katsushika Hokusai, Edo period, 19th century
"Night View of the Saruwakachō District" from the Series One Hundred Famous Places of Edo, By Utagawa Hiroshige, Edo period, 1856

2nd floor

Netsuke: The Prince Takamado Collection

2nd floor The Prince Takamado Collection Room

October 29, 2019 (Tue) -
January 26, 2020 (Sun)

Netsuke: The Prince Takamado Collection

2nd floor The Prince Takamado Collection Room

October 29, 2019 (Tue) - January 26, 2020 (Sun)

Including:
Cut Piece: Apple, Akira Kuroiwa, 1997
Hagoromo, Isshu Kishi, 1988
Grooming, Kiho Takagi, 1995
Owl, Onosato Zanmai, 2002
Hatching Gecko, Susan Wraight, 1997

2nd floor

Thematic Exhibition

Heian Court Calligraphy: The Iijima Shunkei Collection

2nd floor
Room T1

October 1, 2019 (Tue) -
November 17, 2019 (Sun)

Letter (detail), By Fujiwara no Kozei, Heian period, dated 1020 (Important Cultural Property)

Thematic Exhibition

Heian Court Calligraphy: The Iijima Shunkei Collection

2nd floor
Room T1

October 1, 2019 (Tue) - November 17, 2019 (Sun)

During the Heian period (794–1192), a Japanese phonetic script based on Chinese characters known as kana became widespread among the ruling class. Kana became a vehicle for the flourishing literary culture of the imperial court, where nobles developed distinct Japanese calligraphy styles on lavishly-decorated paper.
In this thematic exhibition, we introduce works from the collection of Iijima Shunkei (1906–96), a collector and pioneering scholar of Heian court calligraphy.

Details

1st floor: Genre Exhibits

Sculpture

1st floor: Genre Exhibits
Room 11

September 25, 2019 (Wed) -
February 24, 2020 (Mon)
Lacquerware

1st floor: Genre Exhibits
Room 12

September 18, 2019 (Wed) -
December 8, 2019 (Sun)
Thematic Exhibition

The Beauty of Unglazed Tea Wares: From the Kilns of Bizen, Shigaraki, Iga, and Tanba

1st floor: Genre Exhibits
Room 14

September 18, 2019 (Wed) -
December 8, 2019 (Sun)
Thematic Exhibition

Splendid Reproductions of The Sutras Donated by the Heike Clan by Tanaka Shinbi: The Masuda and Ōkura Versions

1st floor: Genre Exhibits
Room 15

October 22, 2019 (Tue) -
December 8, 2019 (Sun)
Ainu and Ryūkyū

1st floor: Genre Exhibits
Room 16

September 10, 2019 (Tue) -
December 8, 2019 (Sun)
Conservation and Restoration

1st floor: Genre Exhibits
Room 17

April 15, 2014 (Tue) -
March 31, 2020 (Tue)
Art of the Modern Era | Late 19th–first half of 20th century

1st floor: Genre Exhibits
Room 18

September 3, 2019 (Tue) -
December 8, 2019 (Sun)
Secrets of Asian Paints:
Reproducing the National Treasure Red and White Cotton Rosemallow

1st floor: Genre Exhibits
Room 19

September 18, 2019 (Wed) -
February 21, 2020 (Fri)

Standing Juni Shinsho (Twelve Heavenly Generals): Bishin (Who protects the direction of the sheep), Passed down at Jōruriji Temple, Kyoto, Kamakura period, 13th century (Important Cultural Property)

Sculpture

1st floor: Genre Exhibits
Room 11

September 25, 2019 (Wed) - February 24, 2020 (Mon)

This gallery introduces the history of sculptural art in Japan through prototypical wood-sculptures featuring examples dating from the Heian and Kamakura periods, the zenith of Japanese sculpture.

Current exhibit includes:
The Rooster General, One of the Twelve Divine Generals, Kamakura period, 13th century (Important Cultural Property, Lent by Murouji Temple, Nara)
The Snake General, One of the Twelve Divine Generals, Kamakura period, 13th century (Important Cultural Property, Lent by Murouji Temple, Nara)
The Dog General, One of the Twelve Divine Generals, Passed down at Jōruriji Temple, Kyoto, Kamakura period, 13th century(Important Cultural Property)
Standing Juni Shinsho (Twelve Heavenly Generals): Bishin (Who protects the direction of the sheep), Passed down at Jōruriji Temple, Kyoto, Kamakura period, 13th century (Important Cultural Property)
The Buddha Amida, the Central Image of a Buddha Triad, Heian period, dated 1176 (Important Cultural Property, Lent by Saikōin Temple, Saitama)
The Buddha Amida, Passed down at Kōmyōin Temple, Hiroshima, Heian-Kamakura period, 12th century (Important Cultural Property, Lent by Taishō University)
The Buddha Shaka, Heian period, 9th century (National Treasure, Lent by Murouji Temple, Nara)
The Eleven-Headed Bodhisattva Kannon, Heian period, 9th–10th century (National Treasure, Lent by Murouji Temple, Nara)

Writing Box, Design of bugaku dance in maki-e lacquer, Attributed to Hon'ami Koetsu, Edo period, 17th century (Important Cultural Property)

Lacquerware

1st floor: Genre Exhibits
Room 12

September 18, 2019 (Wed) - December 8, 2019 (Sun)

Features maki-e works from 12th century to 19th century. The exhibit shows the history and beauty of maki-e, a unique lacquerwork method that developed in Japan.

Current exhibition includes:
Cosmetic Box with Cypress-Fan Crests, Kamakura period, 13th century (Important Cultural Property)
Writing Box with a Brushwood Fence and Ivy, By Koma Kyūi, Edo period, 17th century (Important Cultural Property)
Lamp Stand, Hosoge flower design in mother of pearl inlay and Heijin maki-e lacquer, Heian period, 12th century (National Treasure, Lent by Daichōjuin Temple, Iwate)
Sutra Box with the Moon and Peonies, Kamakura period, 13th–14th century (National Treasure, Lent by Saidaiji Temple, Nara)
Box for Monk's Robes with Squirrel's Foot Ferns and Arrowroot, Donated to temple in Nanbokucho period, 1342 (Important Cultural Property, Lent by Kongōbuji Temple, Wakayama)
Footed Chest with Suminoe Beach, Nanbokucho period, dated 1357 (Important Cultural Property)
Mirror Box with Paulownias, Bamboo, and Phoenixes, Muromachi period, 15th century (Important Cultural Property, Lent by Atsuta Shrine, Aichi)
Writing Box with a Bugaku Performer, Attributed to Hon'ami Kōetsu, Edo period, 17th century (Important Cultural Property)

Flower Vase with Lugs, Iga ware, Edo period, 17th century

Thematic Exhibition

The Beauty of Unglazed Tea Wares: From the Kilns of Bizen, Shigaraki, Iga, and Tanba

1st floor: Genre Exhibits
Room 14

September 18, 2019 (Wed) - December 8, 2019 (Sun)

This exhibition showcases tea wares created at some of the major Japanese kilns—Bizen, Shigaraki, Iga, and Tanba—that are known for the production of unglazed ceramic wares.

Details

Copy of Chapter 27 of the Lotus Sutra, One of the Sutras Donated by the Heike Clan (Masuda Version) (detail), Copied by Tanaka Shinbi, Taishō–Shōwa era, 20th century (Original: National Treasure, preserved at Itsukushima Shrine, Hiroshima)

Thematic Exhibition

Splendid Reproductions of The Sutras Donated by the Heike Clan by Tanaka Shinbi: The Masuda and Ōkura Versions

1st floor: Genre Exhibits
Room 15

October 22, 2019 (Tue) - December 8, 2019 (Sun)

In 1164, the powerful head of the Heike samurai clan, Taira no Kiyomori, donated extravagant manuscripts of the Lotus Sutra, Amida Sutra, and Heart Sutra to Itsukushima Shrine (now Miyajima Island, Hiroshima Prefecture). These scriptures in thirty-three scrolls became known as The Sutras Donated by the Heike Clan and were reproduced between 1920 and 1925 by the art historian Tanaka Shinbi.

Details

Ritual Hoe-shaped Crest, Hokkaido Ainu, Found at Sakurayama, Kakuta, Kuriyama Town, Hokkaido, 19th century (Gift of Mr. Oda Katsukichi and Mr. Izumi Rintaro)

Ainu and Ryūkyū

1st floor: Genre Exhibits
Room 16

September 10, 2019 (Tue) - December 8, 2019 (Sun)

Stretching from north to south, the Japanese archipelago is home to diverse cultures that have flourished in its rich natural environments. Representing such cultures from northern Japan, this gallery exhibits a range of items created by the Ainu people featuring their distinctive designs, a typical example of which is a moreu whirl pattern. These items include ritual implements, clothing, and wooden objects. Also on display in this gallery are decorative art objects from the Ryukyu Kingdom, representing a southern culture. The Ryukyu Kingdom developed its unique culture through trade and exchange with many regions including China, Japan, the Korean peninsula, and Southeast Asia. Metalwork objects and textiles created mainly during the Kingdom’s Second Sho dynasty (1469–1879) are featured here.

Current exhibit includes:
Ainu:
Sash for Shaman, Sakhalin Ainu, 19th century (Gift of the Hokkaido Project Management Bureau, Ministry of Agriculture and Commerce)
Necklace, Hokkaido Ainu, 19th century (Gift of Mr. Tokugawa Yorisada)
Bear Cage (Model), Hokkaido Ainu, 19th century (Gift of Mr. Tokugawa Yorisada)
Ritual Hoe-shaped Crest, Hokkaido Ainu, Found at Sakurayama, Kakuta, Kuriyama Town, Hokkaido, 19th century (Gift of Mr. Oda Katsukichi and Mr. Izumi Rintaro)

Ryukyu:
Covered Food Box, Chrysanthemum design, Chrysanthemum design in tsuikin work (appliqué of colored lacquer cutouts）, Okinawa Main Island, Second Sho dynasty, Ryukyu kingdom, 19th century
Headwear for Prince, Okinawa Main Island, Second Sho dynasty, Ryukyu kingdom, 19th century (Gift of Mr. Higa Kamato)

Conservation and Restoration

1st floor: Genre Exhibits
Room 17

April 15, 2014 (Tue) - March 31, 2020 (Tue)

>> detailed information
The preservation and conservation of cultural properties are essential aspects of our Museum's mission. From this point of view, this room features object research and examination, environmental maintenance of storage and exhibition rooms, and conservation procedures applied in accordance to materials and conditions of the objects.

Jar, White porcelain with grape scroll design in relief, By Itaya Hazan, Showa era, 20th century

Art of the Modern Era | Late 19th–first half of 20th century

1st floor: Genre Exhibits
Room 18

September 3, 2019 (Tue) - December 8, 2019 (Sun)

This gallery features paintings and sculptures from the Meiji to Taisho period. Since it first opened in 1872 as the exposition venue of the Ministry of Education, Tokyo National Museum has collected important artworks that signify the development of modern Japanese art. The exhibit consists of selected works from the collection.

Current exhibit includes:
Stone Buddha of Datong, By Maeda Seison, 1938 (Gift of the artist)
A Christian and a Buddhist, By Maeda Seison, 1917
Night Scene at the Railway Station, By Takamura Shinpu, Taisho era, 20th century (Gift of the artist)
Large Vase with a Plum Tree, By Miyagawa Kozan I, 1892 (Important Cultural Property, Gift of Japan Delegate Office for World's Columbian Exposition)
Jar, White porcelain with grape scroll design in relief, By Itaya Hazan, Showa era, 20th century
Flower Vase, Butterfly design, By Kanazawa Copper Ware Company, Dated 1892 (Gift of the Japan Delegate Office for the Chicago World's Fair)

Secrets of Asian Paints:
Reproducing the National Treasure Red and White Cotton Rosemallow

1st floor: Genre Exhibits
Room 19

September 18, 2019 (Wed) - February 21, 2020 (Fri)

In traditional Asian painting, the paints were made from natural substances, such as minerals, plants, animals, and even insects. Depending on the base substances, the color tones and usability of the paints differed. Understanding the unique properties of each type of paint, as well as effective use and combination of different paints, allowed for increased variation in painted depictions. The National Treasure Red and White Cotton Rosemallow is an example of works in which the unique properties of the paints have been skillfully utilized. It is a pair of paintings created by the Chinese court painter Li Di in 1197, during the Southern Song dynasty. From this pair of hanging scroll paintings, the one depicting pink flowers has been reproduced based on research.

Details

1st floor

Commemorating 30 Years of Conservation Projects Supported by the Sumitomo Foundation:
Special Thematic Exhibition: New Life for Timeless Art

1st floor
Room T4 & T5

October 1, 2019 (Tue) -
December 1, 2019 (Sun)

Seated Amida Nyorai (Amitabha) with Jeweled Crown, Kamakura period, 12–13th century (Aichi, Zaikaji)

Commemorating 30 Years of Conservation Projects Supported by the Sumitomo Foundation:
Special Thematic Exhibition: New Life for Timeless Art

1st floor
Room T4 & T5

October 1, 2019 (Tue) - December 1, 2019 (Sun)

The Sumitomo Foundation is celebrating thirty years of providing funding for the conservation of cultural properties. To mark this occasion, exhibitions of works that have received funding through the foundation will be held across four museums: Sen-oku Hakukokan Museum (Kyoto), Sen-oku Hakukokan Museum, Tokyo (Tokyo), the Kyushu National Museum, and the Tokyo National Museum. The Tokyo National Museum will host a special thematic exhibition featuring Buddhist statues.
An impressive number of Buddhist statues have survived to modern times in Japan. In mountainous and rural regions, traditions venerating Buddhist statues attest to the importance these statues held for local communities. This exhibition will present Buddhist statues that have been cherished and handed down by such communities, including those affected by The Great East Japan Earthquake (2011) and The Noto Hanto Earthquake (2007).

Details

Exhibitions

November 9, 2019 (Sat), Japanese Gallery (Honkan)

2nd floor "Highlights of Japanese Art"

The Dawn of Japanese Art: Jomon, Yayoi and Kofun periods

The Arrival of Buddhism | 6th–8th century