February 15, 2020 (Sat), Japanese Gallery (Honkan)

The original Japanese Gallery (designed by the British architect Josiah Conder) was severely damaged in the Great Kanto Earthquake of 1923. In contrast to western style of the original structure, the design of the present Honkan by Watanabe Jin is the more eastern "Emperor's Crown Style." Construction began in 1932, and the building was opened in 1938. 24 exhibition rooms on two floors provide a thorough introduction into Japanese art: "Highlights of Japanese Art" on the second floor introduces the development of Japanese art from Jomon through to the Edo period in a chronological manner, and genre galleries presenting specific rooms displaying ceramics, swords, lacquerwares, sculptures, modern decorative arts as well as the material culture of Ainu and Ryukyu are located on the first floor.

Highlights of Japanese Art(PDF)

2nd floor "Highlights of Japanese Art"

The Arrival of Buddhism | 6th–8th century

2nd floor "Highlights of Japanese Art"
Room 1

February 4, 2020 (Tue) -
March 15, 2020 (Sun)
National Treasure Gallery: Priest Emon Daishi

2nd floor "Highlights of Japanese Art"
Room 2

February 11, 2020 (Tue) -
February 24, 2020 (Mon)
The Arts of Buddhism | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

February 4, 2020 (Tue) -
March 15, 2020 (Sun)
The Arts of the Imperial Court | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

February 4, 2020 (Tue) -
March 15, 2020 (Sun)
Zen and Ink Painting | 13th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

February 4, 2020 (Tue) -
March 15, 2020 (Sun)
Tea Ceremony

2nd floor "Highlights of Japanese Art"
Room 4

December 3, 2019 (Tue) -
February 24, 2020 (Mon)
Arms and Armor of the Samurai | 12th–19th century

2nd floor "Highlights of Japanese Art"
Rooms 5 & 6

February 11, 2020 (Tue) -
April 26, 2020 (Sun)
Paintings on Folding Screens and Sliding Doors | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 7

February 11, 2020 (Tue) -
March 22, 2020 (Sun)
Decorative Arts | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

January 28, 2020 (Tue) -
April 19, 2020 (Sun)
Painting and Calligraphy | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

February 11, 2020 (Tue) -
March 22, 2020 (Sun)
Noh and Kabuki: Auspicious Patterns in Designs for the Noh Theater

2nd floor "Highlights of Japanese Art"
Room 9

January 2, 2020 (Thu) -
February 24, 2020 (Mon)
The Art of Fashion | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

January 2, 2020 (Thu) -
February 24, 2020 (Mon)
The Art of Ukiyo-e | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

January 21, 2020 (Tue) -
February 16, 2020 (Sun)

Buddha, Collection of Horyuji Treasures, Asuka period, 7th century

The Arrival of Buddhism | 6th–8th century

2nd floor "Highlights of Japanese Art"
Room 1

February 4, 2020 (Tue) - March 15, 2020 (Sun)

In the mid-6th century, Buddhism was officially introduced into Japan from the kingdom of Baekje on the southeastern coast of the Korean peninsula. Japanese culture made a remarkable progress with the adoption of Buddhism. This gallery features early Buddhist statues, sutras, reliquaries, and ritual implements from the 6th–8th century.

Current exhibit includes:
Buddha, Collection of Horyuji Treasures, Asuka period, 7th century
Great Perfection of Wisdom Sutra, Vol. 468 (Votive Sutra of Prince Nagaya), Nara period, 728 (Important Cultural Property, Private collection)
Ritual Objects Used to Consecrate the Site of Kohfukuji Temple, Strips of Beaten Gold, Excavated from under altar of Main Hall at Kohfukuji, Nara, Nara period, 8th century (National Treasure)
Ritual Objects Used to Consecrate the Site of Kohfukuji Temple, Eight-Lobed Mirror with Design of Flowers and Paired Butterflies, Excavated from under altar of Main Hall at Kohfukuji, Nara, Nara period, 8th century (National Treasure)
Ritual Objects Used to Consecrate the Site of Kohfukuji Temple, Large Gilt-Bronze Bowl, Excavated from under altar of Main Hall at Kohfukuji, Nara, Nara period, 8th century (National Treasure)

The Priest Huiwen (detail), Heian period，11th century (National Treasure, Lent by Ichijōji, Hyogo)

National Treasure Gallery: Priest Emon Daishi

2nd floor "Highlights of Japanese Art"
Room 2

February 11, 2020 (Tue) - February 24, 2020 (Mon)

This painting is from a series depicting ten prominent Buddhist monks from India, China, and Japan. All of these monks have connections with Tiantai, a major school of Buddhism that originated in China and spread to other Asian countries, including Japan.

The monk shown here is Huiwen, who lived during China’s Northern and Southern Dynasties period (439–589) and created the foundations of Tiantai doctrine. Firm yet flowing lines that evoke a sense of weight, together with delicate gradations in the robes, make this an excellent example of Buddhist painting from 11th-century Japan.

List of Exhibits

Heart Sutra of the Divine Incantation of Amoghapāśa (detail), By Saionji Kinhira, Kamakura period, 1306 (Important Cultural Property)

The Arts of Buddhism | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

February 4, 2020 (Tue) - March 15, 2020 (Sun)

Buddhist art is one of the major genres that define Japanese art. Many masterworks date from the late Heian period, a time characterized as classical in Japanese art history. After the Kamakura period, Buddhist art further developed in its materials, methods, and styles as Zen schools and other new Buddhist schools emerged, together with the influence from the Chinese arts. This exhibit features artworks from the Heian to Kamakura periods, when Buddhist art most flourished, adding siginificant objects from the Nanbokucho and periods.

Current exhibit includes:
The Buddha Entering Nirvana, Heian period, 12th century (Important Cultural Property)
The Twelfth of the Sixteen Arhats, Kamakura period, 13th–14th century (Important Cultural Property, Lent by Tenshinji Temple, Tokyo)
The Bodhisattva Kōshō (Priest Eizon), Kamakura period, 14th century (Important Cultural Property, Lent by Shitsusenji Temple, Tokyo)
Volume 3 of The Illustrated Biography of Priest Shinran, Nanbokuchō period, 14th century (Important Cultural Property, Lent by Shōganji Temple, Chiba)
Sutra on Women Attaining Buddhahood, Heian period, 12th century
Heart Sutra of the Divine Incantation of Amoghapāśa, By Saionji Kinhira, Kamakura period, 1306 (Important Cultural Property)

Part of The Origins of Yūzū Nenbutsu Buddhism (detail), Previously owned by Mr. Hashimoto Tatsujirō, Nanbokuchō period, 14th century (Important Art Object)

The Arts of the Imperial Court | 8th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

February 4, 2020 (Tue) - March 15, 2020 (Sun)

The courtiers were strongly involved in the arts through the Heian and Muromachi periods, their aesthetic tastes playing a great role in Japanese art history. Literature works such as waka poems and other calligraphy written by courtiers, and e-maki narrative picture scrolls displayed in this room with decorative art objects.

Current exhibit includes:
Part of The Origins of Yūzū Nenbutsu Buddhism, Nanbokuchō period, 14th century (Important Art Object)
Part of The Collected Works of Bai Juyi (Called the “Xinyuefu Fragment”), Heian period, 12th century (Gift of Mr. Yano Takamichi)

Landscape (detail), Seal of “Shūhō”, Muromachi period, 16th century

Zen and Ink Painting | 13th–16th century

2nd floor "Highlights of Japanese Art"
Room 3

February 4, 2020 (Tue) - March 15, 2020 (Sun)

This gallery features works by famous artists of the landscape-painting genre, along with famous works of bokuseki (calligraphy by Zen priests).

Current exhibit includes:
Calligraphy in One Line, By Dairin Sōtō, Muromachi period, 16th century (Gift of Mr. Hirota Matsushige)

Flower Vase in the Shape of a Cong Ritual Vessel, Stoneware with celadon glaze, Imperial kilns, ChinaPassed down by the Owari Tokugawa clan, Southern Song dynasty, 12th–13th century (Important Cultural Property, Gift of Mr. Hirota Mats

Tea Ceremony

2nd floor "Highlights of Japanese Art"
Room 4

December 3, 2019 (Tue) - February 24, 2020 (Mon)

This gallery highlights the way of tea through its various art works such as paintings and calligraphy, vases, vessels for kaiseki meals, kettles, tea caddies, and tea bowls.

Current exhibit includes:
Flower Vase in the Shape of a Cong Ritual Vessel, Stoneware with celadon glaze, Imperial kilns, ChinaPassed down by the Owari Tokugawa clan, Southern Song dynasty, 12th–13th century (Important Cultural Property, Gift of Mr. Hirota Matsushige)

Armor (Dōmaru) with Black and White Lacing, Muromachi period, 15th century (Important Cultural Property)

Arms and Armor of the Samurai | 12th–19th century

2nd floor "Highlights of Japanese Art"
Rooms 5 & 6

February 11, 2020 (Tue) - April 26, 2020 (Sun)

Beginning with the sword which is the most important possession of a samurai, this gallery focuses on arms and armor, saddlery, attire of the warriors as well as their portraits and hand-writings.

List of Exhibits

Autumn and Winter Landscapes (detail), By Maruyama Ōkyo, Edo period, 18th century

Paintings on Folding Screens and Sliding Doors | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 7

February 11, 2020 (Tue) - March 22, 2020 (Sun)

This gallery is dedicated to the genre of shohei-ga, which includes mural paintings, fusuma paintings and byobu paintings. The room is especially designed for an effective display of grand-scale paintings.

Current exhibit includes:
Autumn and Winter Landscapes, By Maruyama Ōkyo, Edo period, 18th century

List of Exhibits

Tea Leaf Jar, Moon and plum design in overglaze enamel, Studio of Ninsei, Edo period, 17th century (Important Cultural Property)

Decorative Arts | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

January 28, 2020 (Tue) - April 19, 2020 (Sun)

The maturing of Japanese culture supported by the military and commoner classes continued throughout the Azuchi-Momoyama and Edo periods. This gallery introduces the craft of interior furnishings and daily utensils that adorned the life of the people during these periods.

List of Exhibits

Roar of a Tiger Causing Wind (detail), By Maruyama Okyo, Edo period, dated 1786 (Gift of Mrs. Uematsu Kayoko)

Painting and Calligraphy | 16th–19th century

2nd floor "Highlights of Japanese Art"
Room 8

February 11, 2020 (Tue) - March 22, 2020 (Sun)

This gallery introduces the dynamic and multi-faceted world of paintings and calligraphy from the Azuchi–Momoyama to the Edo period.

Current exhibit includes:
Waves, By Maruyama Okyo, Edo period, dated 1788 (Important Cultural Property, Lent by Kongoji, Kyoto)
Scroll of Calligraphy, By Hosoi Kotaku (Private collection)

List of Exhibits

Noh Costume (Karaori) with Pine-Bark Diamonds and Peonies, Formerly owned by the Uesugi family, Edo period, 18th century

Noh and Kabuki: Auspicious Patterns in Designs for the Noh Theater

2nd floor "Highlights of Japanese Art"
Room 9

January 2, 2020 (Thu) - February 24, 2020 (Mon)

Noh theater, one of Japan’s traditional performing arts, was presented at Shinto shrines and Buddhist temples as an offering to the gods. In return, people hoped to be blessed with rich harvests, numerous descendants, as well as long and healthy lives. For this reason, props and costumes for Noh were often decorated with auspicious patterns – some Chinese in origin and others uniquely Japanese – that reflected these wishes. We invite visitors to take a closer look at these brilliant patterns that embody the hope for good fortune.

Current exhibit includes:
Noh Costume (Chōken) with Fans, Peonies, and Chrysanthemums, Edo period, 18th century
Noh Costume (Karaori) with Pine-Bark Diamonds and Peonies, Formerly owned by the Uesugi family, Edo period, 18th century
Noh Costume (Maiginu) with Phoenixes and Paulownias, Edo period, 18th century (Lent by Agency for Cultural Affairs)
Noh Costume (Hangire) with Dragon Among Clouds, Blades, and Mountains, Edo period, 19th century (Lent by Agency for Cultural Affairs)

Outer Robe (Uchikake) with Pines, Bamboo, Plums, Sandbank-Shaped Tables, and Myriad Treasures, Formely owned by Noguchi Hikobei, Edo period, 19th century

The Art of Fashion | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

January 2, 2020 (Thu) - February 24, 2020 (Mon)

Introduces the fashion of the Edo period townspeople. Enjoy comparing with the ukiyo-e works exhibited in the same room.

Current exhibit includes:
Robe (Kosode) with Plants, Cranes, Turtles, and Geometric Patterns, Edo period, 16th century (Important Cultural Property)
Outer Robe (Uchikake) with Pines, Bamboo, Plums, Sandbank-Shaped Tables, and Myriad Treasures, Formely owned by Noguchi Hikobei, Edo period, 19th century
Case (Inrō) with Rats, Edo period, 19th century (Gift of Mr. Quincy A. Shaw)

The Plum Garden (detail), By Suzuki Harunobu, Edo period, 18th century

The Art of Ukiyo-e | 17th–19th century

2nd floor "Highlights of Japanese Art"
Room 10

January 21, 2020 (Tue) - February 16, 2020 (Sun)

In the 17th century, painters started depicting the lives of commoners in a genre known as ukiyo-e. With the advent of new printing technology, these images began to be reproduced in high numbers, and ukiyo-e gradually spread to all layers of society. The addition of colorists to the publishers’ craftsmen also led to the birth of the color print in the mid-18th century. From January 21–February 16, 2020, this gallery displays paintings and prints of winter scenery with snow and plum trees, and actors and beautiful women warming themselves below a heated table called a kotatsu.

Current exhibit includes:
Beautiful Woman under a Plum Tree, By Furuyama Moromasa, Edo period, 18th century
The Plum Garden, By Suzuki Harunobu, Edo period, 18th century
“View from the Top of Tenjin Slope at Yushima” from the Series One Hundred Famous Places of Edo, By Utagawa Hiroshige, Edo period, dated 1856

Correction Regarding Night Snow at Mount Hiei by Katsushika Hokusai
The work exhibited as Night Snow at Mount Hiei by Katsushika Hokusai between January 21 and 26, 2020 in Room 10 was mislabeled. It was actually a print by an unknown artist entitled “Evening Snow in Hara” from the Series Eight Famous Places on Tōkaidō Road. We sincerely apologize for any confusion resulting from this error.

2nd floor

Netsuke: The Prince Takamado Collection

2nd floor The Prince Takamado Collection Room

January 28, 2020 (Tue) -
April 19, 2020 (Sun)

Belling the Cat, Susan Wraight, 2001

Netsuke: The Prince Takamado Collection

2nd floor The Prince Takamado Collection Room

January 28, 2020 (Tue) - April 19, 2020 (Sun)

List of Exhibits

1st floor: Genre Exhibits

Sculpture

1st floor: Genre Exhibits
Room 11

September 25, 2019 (Wed) -
February 24, 2020 (Mon)
Lacquerware

1st floor: Genre Exhibits
Room 12

January 2, 2020 (Thu) -
March 22, 2020 (Sun)
Thematic Exhibition

Legendary Makers of Noh Masks

1st floor: Genre Exhibits
Room 14

January 2, 2020 (Thu) -
February 24, 2020 (Mon)
Records of History

1st floor: Genre Exhibits
Room 15

January 2, 2020 (Thu) -
February 24, 2020 (Mon)
Ainu and Ryukyu

1st floor: Genre Exhibits
Room 16

January 2, 2020 (Thu) -
April 12, 2020 (Sun)
Conservation and Restoration

1st floor: Genre Exhibits
Room 17

April 15, 2014 (Tue) -
March 31, 2020 (Tue)
Art of the Modern Era | Late 19th–first half of 20th century

1st floor: Genre Exhibits
Room 18

January 2, 2020 (Thu) -
March 15, 2020 (Sun)
Secrets of Asian Paints:
Reproducing the National Treasure Red and White Cotton Rosemallow

1st floor: Genre Exhibits
Room 19

September 18, 2019 (Wed) -
February 21, 2020 (Fri)

Standing Juni Shinsho (Twelve Heavenly Generals): Bishin (Who protects the direction of the sheep), Passed down at Jōruriji Temple, Kyoto, Kamakura period, 13th century (Important Cultural Property)

Sculpture

1st floor: Genre Exhibits
Room 11

September 25, 2019 (Wed) - February 24, 2020 (Mon)

This gallery introduces the history of sculptural art in Japan through prototypical wood-sculptures featuring examples dating from the Heian and Kamakura periods, the zenith of Japanese sculpture.

Current exhibit includes:
The Rooster General, One of the Twelve Divine Generals, Kamakura period, 13th century (Important Cultural Property, Lent by Murouji Temple, Nara)
The Snake General, One of the Twelve Divine Generals, Kamakura period, 13th century (Important Cultural Property, Lent by Murouji Temple, Nara)
The Dog General, One of the Twelve Divine Generals, Passed down at Jōruriji Temple, Kyoto, Kamakura period, 13th century(Important Cultural Property)
Standing Juni Shinsho (Twelve Heavenly Generals): Bishin (Who protects the direction of the sheep), Passed down at Jōruriji Temple, Kyoto, Kamakura period, 13th century (Important Cultural Property)
The Buddha Amida, the Central Image of a Buddha Triad, Heian period, dated 1176 (Important Cultural Property, Lent by Saikōin Temple, Saitama)
The Buddha Amida, Passed down at Kōmyōin Temple, Hiroshima, Heian-Kamakura period, 12th century (Important Cultural Property, Lent by Taishō University)
The Buddha Shaka, Heian period, 9th century (National Treasure, Lent by Murouji Temple, Nara)
The Eleven-Headed Bodhisattva Kannon, Heian period, 9th–10th century (National Treasure, Lent by Murouji Temple, Nara)

Sutra Box with a Lotus Pond, Heian period, 12th century (Important Cultural Property, Lent by Kongōji Temple, Osaka)

Lacquerware

1st floor: Genre Exhibits
Room 12

January 2, 2020 (Thu) - March 22, 2020 (Sun)

Features maki-e works from 12th century to 19th century. The exhibit shows the history and beauty of maki-e, a unique lacquerwork method that developed in Japan.

Current exhibition includes:
Saddle Tree with Lions, Heian–Kamakura period, 12th–13th century (Important Cultural Property, Gift of Mr. Kanō Jigorō)
Writing Box with a Courtly Carriage, Edo period, 17th century (Important Cultural Property)
Sutra Box with a Lotus Pond, Heian period, 12th century (Important Cultural Property, Lent by Kongōji Temple, Osaka)
Cosmetic Box with Tachibana Orange Trees, Nanbokuchō period, donated in 1390 (National Treasure, Lent by Kumano Hayatama Shrine, Wakayama)
Tiered Stand with Designs Alluding to The Tale of Genji, Attributed to Hon'ami Kōetsu, Edo period, 17th century (Important Cultural Property)

Noh Mask: Sanbasō (Kokushikijō), Inscribed in gold "Attributed to Nikkō by Nōsei (monogram)", Passed down by the Umewaka clan, Nanbokuchō period, 14th century (Important Cultural Property)

Thematic Exhibition

Legendary Makers of Noh Masks

1st floor: Genre Exhibits
Room 14

January 2, 2020 (Thu) - February 24, 2020 (Mon)

This thematic exhibition is comprised of Noh masks that were purportedly created by these legendary makers. We invite visitors to closely examine these Noh masks created by mysterious, legendary mask makers.

Details

Illustrated Map of the Ise Road, Matsuzaka: Obata, Yamada: Gegu, Uji: Naiku Futami Isobe (detail), Edo period, dated 1806 (Important Cultural Property)

Records of History

1st floor: Genre Exhibits
Room 15

January 2, 2020 (Thu) - February 24, 2020 (Mon)

The Tokyo National Museum holds many artworks and other materials that shine light on history, with the foundation of this collection consisting of materials inherited from the shogun’s government of the Edo period (1603–1868). From the time of the Museum’s establishment in 1872, this foundation was supplemented with additional materials collected through exhibitions and surveys of cultural properties. This gallery displays albums of natural science, a discipline that thrived in the Edo period, maps created in the Edo period and the following Meiji era, ink rubbings of calligraphy inscribed into stone and metal, and a variety of other historical materials. In addition, photographs from the late 19th and early 20th century, which show the people and scenery of the day, as well as expositions and cultural properties, are also shown periodically.

Current exhibit includes:
Map of Kyūshū, No. 12, By Inō Tadataka, Edo period, 19th century (Important Cultural Property)
Illustrated Map of the Ise RoadMatsuzaka: Obata, Yamada: Gegu, Uji: Naiku Futami Isobe, Formerly owned by Asakusa Bunko, Edo period, dated 1806 (Important Cultural Property)

Tray, Hokkaidō Ainu, 19th century (Gift of Mr. Tokugawa Yorisada)

Ainu and Ryukyu

1st floor: Genre Exhibits
Room 16

January 2, 2020 (Thu) - April 12, 2020 (Sun)

The islands of Japan stretch from north to south, encompassing diverse natural environments. These environments have been home to numerous cultures over thousands of years. This gallery presents objects from two cultures that were independent from, but interacted with, the rest of Japan: the Ainu people of the north and the Ryukyu Kingdom of the south.
The Ainu are indigenous people who lived mainly on the island of Hokkaido, Japan’s northernmost major island. They worshipped and lived close to nature. The current exhibition presents tools the Ainu used for hunting, fishing, and weaving, as well as clothing and other items from daily life.
The Ryukyu Kingdom on the subtropical islands to the south had a culture strongly influenced by trade. This kingdom traded mainly with Japan, China, Korea, and Southeast Asia. Decorative arts from the Ryukyu Kindgom, such as lacquerware and clothing dyed with vibrant patterns, are currently on display.

List of Exhibits

Conservation and Restoration

1st floor: Genre Exhibits
Room 17

April 15, 2014 (Tue) - March 31, 2020 (Tue)

>> detailed information
The preservation and conservation of cultural properties are essential aspects of our Museum's mission. From this point of view, this room features object research and examination, environmental maintenance of storage and exhibition rooms, and conservation procedures applied in accordance to materials and conditions of the objects.

Plum Blossoms and Lotus Flowers (detail), By Ōchi Shōkan, Taishō era, 1920 (Gift of Mr. Fukami Kichinosuke)

Art of the Modern Era | Late 19th–first half of 20th century

1st floor: Genre Exhibits
Room 18

January 2, 2020 (Thu) - March 15, 2020 (Sun)

This gallery features paintings and sculptures from the Meiji to Taisho period. Since it first opened in 1872 as the exposition venue of the Ministry of Education, Tokyo National Museum has collected important artworks that signify the development of modern Japanese art. The exhibit consists of selected works from the collection.

Current exhibit includes:
Selflessness, By Yokoyama Taikan, Meiji era, 1897
Plum Blossoms and Lotus Flowers, By Ōchi Shōkan (1882-1958), Taishō era, 1920 (Gift of Mr. Fukami Kichinosuke)
The Legendary Prince Yamato Takeru, By Aoki Shigeru, Meiji era, 1906
Plaque with Moon and Wild Goose, By Kanō Natsuo, Meiji era, 1897
Large Vase with Butterflies and Peonies, By Seifū Yohei III, Meiji era, 1892 (Important Cultural Property, Gift of Japan Delegate Office for World's Columbian Exposition, Chicago)

Secrets of Asian Paints:
Reproducing the National Treasure Red and White Cotton Rosemallow

1st floor: Genre Exhibits
Room 19

September 18, 2019 (Wed) - February 21, 2020 (Fri)

In traditional Asian painting, the paints were made from natural substances, such as minerals, plants, animals, and even insects. Depending on the base substances, the color tones and usability of the paints differed. Understanding the unique properties of each type of paint, as well as effective use and combination of different paints, allowed for increased variation in painted depictions. The National Treasure Red and White Cotton Rosemallow is an example of works in which the unique properties of the paints have been skillfully utilized. It is a pair of paintings created by the Chinese court painter Li Di in 1197, during the Southern Song dynasty. From this pair of hanging scroll paintings, the one depicting pink flowers has been reproduced based on research.

Details

Exhibitions

February 15, 2020 (Sat), Japanese Gallery (Honkan)

2nd floor "Highlights of Japanese Art"

The Arrival of Buddhism | 6th–8th century