April 25, 2017 (Tue), Japanese Gallery (Honkan)

The original Japanese Gallery (designed by the British architect Josiah Conder) was severely damaged in the Great Kanto Earthquake of 1923. In contrast to western style of the original structure, the design of the present Honkan by Watanabe Jin is the more eastern "Emperor's Crown Style." Construction began in 1932, and the building was opened in 1938. 24 exhibition rooms on two floors provide a thorough introduction into Japanese art: "Highlights of Japanese Art" on the second floor introduces the development of Japanese art from Jomon through to the Edo period in a chronological manner, and genre galleries presenting specific rooms displaying ceramics, swords, lacquerwares, sculptures, modern decorative arts as well as the material culture of Ainu and Ryukyu are located on the first floor.

Highlights of Japanese Art(PDF)

2nd floor "Highlights of Japanese Art"

The Dawn of Japanese Art: Jomon, Yayoi and Kofun periods

2nd floor "Highlights of Japanese Art"
Room 1

January 2, 2017 (Mon) -
July 16, 2017 (Sun)
The Rise of Buddhism: Asuka - Nara period

2nd floor "Highlights of Japanese Art"
Room 1

April 25, 2017 (Tue) -
May 28, 2017 (Sun)
National Treasure Gallery: Jeweled Pagoda Mandala, Sovereign Kings of the Golden Light Sutra written in gold to form the pagoda

2nd floor "Highlights of Japanese Art"
Room 2

April 11, 2017 (Tue) -
May 7, 2017 (Sun)
Buddhist Art: Heian - Muromachi period

2nd floor "Highlights of Japanese Art"
Room 3

April 25, 2017 (Tue) -
May 28, 2017 (Sun)
Courtly Art: Heian - Muromachi period

2nd floor "Highlights of Japanese Art"
Room 3

April 25, 2017 (Tue) -
May 28, 2017 (Sun)
Zen and Ink Painting: Kamakura - Muromachi period

2nd floor "Highlights of Japanese Art"
Room 3

April 25, 2017 (Tue) -
May 28, 2017 (Sun)
The Art of Tea Ceremony

2nd floor "Highlights of Japanese Art"
Room 4

March 22, 2017 (Wed) -
June 11, 2017 (Sun)
Attire of the Military Elite: Heian - Edo period

2nd floor "Highlights of Japanese Art"
Rooms 5 & 6

March 14, 2017 (Tue) -
June 4, 2017 (Sun)
Folding Screens and Sliding Door Paintings: Azuchi-Momoyama - Edo period

2nd floor "Highlights of Japanese Art"
Room 7

April 25, 2017 (Tue) -
May 28, 2017 (Sun)
Thematic Exhibition

2017 Newly Designated National Treasures and Important Cultural Properties

2nd floor "Highlights of Japanese Art"
Room 8 & Room 11

April 18, 2017 (Tue) -
May 7, 2017 (Sun)
Noh and Kabuki: Bugaku Costumes

2nd floor "Highlights of Japanese Art"
Room 9

April 18, 2017 (Tue) -
June 11, 2017 (Sun)
Ukiyo-e and Fashion in the Edo Period: Fashion

2nd floor "Highlights of Japanese Art"
Room 10

April 18, 2017 (Tue) -
June 11, 2017 (Sun)
Ukiyo-e and Fashion in the Edo Period: Ukiyo-e

2nd floor "Highlights of Japanese Art"
Room 10

April 18, 2017 (Tue) -
May 14, 2017 (Sun)

Mirror, Deity and horse carriage design (detail), From Samitatakarazuka Tumulus, Kawai-cho, Nara, Kofun period, 4th-5th century (Originally made in China, 2nd-3rd century) (Important Cultural Property)

The Dawn of Japanese Art: Jomon, Yayoi and Kofun periods

2nd floor "Highlights of Japanese Art"
Room 1

January 2, 2017 (Mon) - July 16, 2017 (Sun)

The Jomon culture began around 12,000 years ago. Earthenware vessels of this age with various motifs and styles are the starting point of "Highlights of Japanese Art." In the Yayoi period (450 B.C.- A.D. 250), pottery with a simplistic yet refined beauty and dotaku bell-shaped bronzes were prominent. Typical objects from the Kofun period (A.D. 250-600), such as haji, sue wares and haniwa figurines, as well as mirrors, arms and armor, saddlery, and accessory, which expresses the essence of metal and glass craftsmanship, are also featured.

Current exhibit includes:
Deep Bowl, From Ubayama Shell Mound, Kashiwai-machi, Ichikawa-shi, Chiba, Jomon period, 3000-2000 BC (Gift of Mr. Sugihara Sosuke)
Haniwa (Terracotta tomb figure), Warrior in Armor, From Kamishiba Tumulus, Misato-machi, Takasaki-shi, Gunma, Kofun period, 6th century
Haniwa (Terracotta tomb figure), Monkey, Attributed provenance: Dainichizuka Tumulus, Okinosu, Namegata-shi, Ibaraki, Kofun period, 6th century (Important Cultural Property)
Jar, From Kugahara, Ota-ku, Tokyo, Yayoi period, 1st-3rd century (Important Cultural Property, Private collection)
Mirror, Deity and horse carriage design, From Samitatakarazuka Tumulus, Kawai-cho, Nara, Kofun period, 4th-5th century (Originally made in China, 2nd-3rd century) (Important Cultural Property)
Ridge-end Tile, From former Fuchidaka Temple site, Fuchidaka-cho, Aisai-shi, Aichi, Nara period, 8th century

Standing Nyorai (Buddha),　Asuka period, 7th century

The Rise of Buddhism: Asuka - Nara period

2nd floor "Highlights of Japanese Art"
Room 1

April 25, 2017 (Tue) - May 28, 2017 (Sun)

In the mid-6th century, Buddhism was officially introduced into Japan from the kingdom of Baekje on the southeastern coast of the Korean peninsula. Japanese culture made a remarkable progress with the adoption of Buddhism. This gallery features early Buddhist statues, sutras, reliquaries, and ritual implements from the Asuka and Nara periods.

Current exhibit includes:
Seated Nyorai (Buddha), Asuka period, 7th century (Lent by Shoinji, Kanagawa)
Discourse on the Stages of Yogic Practice, Vol. 48, Votive sutra of the Priest Gyoshin, Nara period, dated 767 (Lent by Enpukuji, Chiba)
Segment from Konkomyo saisho'o kyo (Sovereign Kings of the Golden Light Sutra), Vol. 6, Nara period, 8th century (Private collection)

Jeweled Pagoda Mandala, Sovereign Kings of the Golden Light Sutra written in gold to form the pagoda, Heian period, 12th century (National Treasure, Lent by Daichojuin, Iwate)

National Treasure Gallery: Jeweled Pagoda Mandala, Sovereign Kings of the Golden Light Sutra written in gold to form the pagoda

2nd floor "Highlights of Japanese Art"
Room 2

April 11, 2017 (Tue) - May 7, 2017 (Sun)

This is a transcription of a sutra, which was used during Buddhist ceremonies to pray for the peace and prosperity of the country. The characters in gold were written to form a pagoda. The creation of this type of mandala was based on a Buddhist belief that encouraged the integration of several good deeds, which would lead to desirable outcomes, into one. Those good deeds included transcribing sutras and constructing Buddhist temples, pagodas, and statues, as well as decorating them in a dignified yet magnificent manner.

On Exhibit:
Jeweled Pagoda Mandala, Sovereign Kings of the Golden Light Sutra written in gold to form the pagoda, Heian period, 12th century (National Treasure, Lent by Daichojuin, Iwate)

Monju Bosatsu (Manjusri) (detail), Kamakura period, 14th century (Gift of Mr. Matsunaga Yasuzaemon)

Buddhist Art: Heian - Muromachi period

2nd floor "Highlights of Japanese Art"
Room 3

April 25, 2017 (Tue) - May 28, 2017 (Sun)

Buddhist art is one of the major genres that define Japanese art. Many masterworks date from the late Heian period, a time characterized as classical in Japanese art history. After the Kamakura period, Buddhist art further developed in its materials, methods, and styles as Zen schools and other new Buddhist schools emerged, together with the influence from the Chinese arts. This exhibit features artworks from the Heian to Kamakura periods, when Buddhist art most flourished, adding siginificant objects from the Nanbokucho and Muromachi periods.

Current exhibit includes:
Standing Prince Shotoku, Kamakura period, 13th–14th century (Lent by Honshoji, Aichi)
Mandala of Hie Sanno Honjibutsu (Shinto gods as Buddhist deities), Kamakura period, 14th century)
Monju Bosatsu (Manjusri), Kamakura period, 14th century (Gift of Mr. Matsunaga Yasuzaemon)
Illustrated biography of priest Honen, Vol. 1, Kamakura period, dated 1323 (Important Cultural Property, Lent by Joufukuji, Ibaraki)
Surviving Scroll of Illustrated Legends about Shitennoji Temple, By Koremune Sueshige, Heian period, dated 1173 (Important Cultural Property, Lent by Sanzen'in, Kyoto)
Succession of Priests and Their Biographies, Heian period, 12th century (Important Cultural Property)

Illustrated Scroll of Horse Doctors (detail), Kamakura period, dated 1267 (Important Cultural Property)

Courtly Art: Heian - Muromachi period

2nd floor "Highlights of Japanese Art"
Room 3

April 25, 2017 (Tue) - May 28, 2017 (Sun)

The courtiers were strongly involved in the arts through the Heian and Muromachi periods, their aesthetic tastes playing a great role in Japanese art history. Literature works such as waka poems and other calligraphy written by courtiers, and e-maki narrative picture scrolls are displayed in this room with decorative art objects.

Current exhibit includes:
Illustrated Scroll of Horse Doctors, Kamakura period, dated 1267 (Important Cultural Property)
Detached Segment of Kokin waka shu Poetry Anthology, Vol. 11, Attributed to Fujiwara no Sari, Heian period, 12th century (Important Art Object)
Eight-foiled Mirror, Auspicious flower and pair of phoenixes design, Heian period, 11th–12th century (Lent by Izusan-jinja, Shizuoka)

Flowers and Birds of the Four Seasons (detail), Attributed to Sesshu Toyo, Muromachi period, 15th century (Important Cultural Property)

Zen and Ink Painting: Kamakura - Muromachi period

2nd floor "Highlights of Japanese Art"
Room 3

April 25, 2017 (Tue) - May 28, 2017 (Sun)

This gallery features works by famous artists of the landscape-painting genre, along with famous works of bokuseki (calligraphy by Zen priests).

Current exhibit includes:
Budai (Hotei), By Kano Masanobu ; inscription by Keijo Shurin, Muromachi period, 15th century (Important Cultural Property, Lent by the Agency for Cultural Affairs)
Flowers and Birds of the Four Seasons, Attributed to Sesshu Toyo, Muromachi period, 15th century (Important Cultural Property)

Tea Caddy, Bunrin (“apple”) type; known as the “Uji”, China, Southern Song–Yuan dynasty, 13th century

The Art of Tea Ceremony

2nd floor "Highlights of Japanese Art"
Room 4

March 22, 2017 (Wed) - June 11, 2017 (Sun)

This gallery highlights the way of tea through its various art works such as paintings and calligraphy, vases, vessels for kaiseki meals, kettles, tea caddies, and tea bowls.

Current exhibit includes:
Water Jar, Shino type, Fishing net design, Mino ware, Azuchi-Momoyama–Edo period, 16th–17th century (Private collection)
Tea Caddy, Bunrin (“apple”) type; known as the “Uji”, China, Southern Song–Yuan dynasty, 13th century
Tea Kettle, Plum tree and bamboo design, Ashiya ware, Muromachi period, 15th century (Lent by The Satoh Artcraft Research & Scholarship Foundation)
Poem on Shikishi Paper, Attributed to Ono no Tofu, Heian period, 11th century (on exhibit from April 25, 2017)

Sword Mounting (For tachi sword known as “Shishio”), With black-lacquered scabbard (detail), Kamakura period, 13th - 14th century (Important Cultural Property, On exhibit from March 22, 2017)

Attire of the Military Elite: Heian - Edo period

2nd floor "Highlights of Japanese Art"
Rooms 5 & 6

March 14, 2017 (Tue) - June 4, 2017 (Sun)

Beginning with the sword which is the most important possession of a samurai, this gallery focuses on arms and armor, saddlery, attire of the warriors as well as their portraits and hand-writings.

Current exhibit includes:
Domaru Type Armor, With black leather lacing and white lacing on top, omodaka style, ridged helmet, Muromachi period, 15th century (Important Cultural Property)
Hirumaki-no-tachi Style Sword Mounting, With scabbard decorated with spiral bands of silver-plated copper, Heian period, 12th century (National Treasure, Lent by Niutsuhime jinja, Wakayama, On exhibit through March 20, 2017)
Tachi Sword, Known as “Shishio”, By swordsmith in Yamato, Heian period, 12th century (Important Cultural Property, On exhibit from March 22, 2017)
Sword Mounting (For tachi sword known as “Shishio”), With black-lacquered scabbard, Kamakura period, 13th - 14th century (Important Cultural Property, On exhibit from March 22, 2017)

Peach Blossom Spring,(detail) By Fukuda Hanko, Edo period, dated 1855

Folding Screens and Sliding Door Paintings: Azuchi-Momoyama - Edo period

2nd floor "Highlights of Japanese Art"
Room 7

April 25, 2017 (Tue) - May 28, 2017 (Sun)

This gallery is dedicated to the genre of shohei-ga, which includes mural paintings, fusuma paintings and byobu paintings. The room is especially designed for an effective display of grand-scale paintings.

Current exhibit includes:
Peach Blossom Spring, By Fukuda Hanko, Edo period, dated 1855

Seated Shaka nyorai(Sakyamuni), Bronze, Asuka Period, 7th century, (National Treasure, Lent by Jindaiji temple,Tokyo)

Thematic Exhibition

2017 Newly Designated National Treasures and Important Cultural Properties

2nd floor "Highlights of Japanese Art"
Room 8 & Room 11

April 18, 2017 (Tue) - May 7, 2017 (Sun)

This exhibition introduces 45 objects from among those newly designated National Treasures and Important Cultural Properties in 2017.

Details

Bugaku Costume for Kitoku Role, Ryoto, Edo period, 19th century

Noh and Kabuki: Bugaku Costumes

2nd floor "Highlights of Japanese Art"
Room 9

April 18, 2017 (Tue) - June 11, 2017 (Sun)

Bugaku was introduced into Japan at the end of the 8th century, where it developed independently as a performing art enacted during rituals at shrines, temples, and the imperial court. Bugaku costumes were made in a traditional style showing influence from the culture of the imperial court. Moreover, costumes for Chinese-style Bugaku, which is called “Saho” or “Togaku,” are characterized by red tones, while those for Korean-style Bugaku, known as “Uho” or “Komagaku,” show extensive use of blues. This exhibition shows costumes from two energetic Korean-Style Bugaku dances: “Kitoku,” and “Bairo.” We invite visitors to compare the colors and designs of these costumes to become more familiar with this elegant performing art that developed under the patronage of the imperial court.

Current exhibit includes:
Bugaku Costume for Kitoku Role, Ryoto, ho, and hakama, Edo period, 19th century
Bugaku Costume for Bairo Role, Ryoto, ho, and hakama, Edo period, 19th century

Kosode (Garment with small wrist openings), Design of agricultural scenes of the four seasons on brown figured satin ground (detail), Edo period, 19th century

Ukiyo-e and Fashion in the Edo Period: Fashion

2nd floor "Highlights of Japanese Art"
Room 10

April 18, 2017 (Tue) - June 11, 2017 (Sun)

Introduces the fashion of the Edo period townspeople. Enjoy comparing with the ukiyo-e works exhibited in the same room.

Current exhibit includes:
Kosode (Garment with small wrist openings), Design of agricultural scenes of the four seasons on brown figured satin ground, Edo period, 19th century
Kosode (Garment with small wrist openings), Paulownia tree design on white figured satin ground, Edo period, 17th–18th century
Inro (Medicine case), Maple and cherry design in maki-e lacquer, Edo period, 19th century (Gift of Mr. Quincy A. Shaw)

Kintaro (detail), By Katsukawa Shun'ei, Edo period, 18th century

Ukiyo-e and Fashion in the Edo Period: Ukiyo-e

2nd floor "Highlights of Japanese Art"
Room 10

April 18, 2017 (Tue) - May 14, 2017 (Sun)

The genre of ukiyo-e, which portrays the common people of the Edo period (1603–1868), initially consisted of only hand-painted works. Mass production of ukiyo-e later became possible through woodblock printing, while advances in carving and printing techniques eventually led to the creation of multi-colored prints called nishiki-e. In addition to hand-painted works, this exhibition will feature prints with seasonal motifs such as wisteria, as well as the legendary figures Zhong Kui and Kintaro, who are associated with the Boy’s Festival held annually on the 5th day of the 5th month.

Current exhibit includes:
Banner for the Festival in the Fifth Month, By Utagawa Kuniyoshi, Edo period, dated 1849
Kintaro, By Katsukawa Shun'ei, Edo period, 18th century
Ushiwakamaru and Princess Joruri, By Torii Kiyonaga, Edo period, 18th century

2nd floor

Netsuke: The Prince Takamado Collection

2nd floor The Prince Takamado Collection Room

April 25, 2017 (Tue) -
July 30, 2017 (Sun)

Netsuke: The Prince Takamado Collection

2nd floor The Prince Takamado Collection Room

April 25, 2017 (Tue) - July 30, 2017 (Sun)

Including:
Cut Piece: Apple, By Akira Kuroiwa, 1997
Hagoromo, By Isshu Kishi, 1988
Grooming, By Kiho Takagi, 1995
Owl, By Onosato Zanmai, 2002
Hatching Gecko, By Susan Wraight, 1997

2nd floor

Thematic Exhibition

Treasures of Reiunji Temple, Place of Prayer for the Shogunate

2nd floor
Room T2

April 25, 2017 (Tue) -
June 4, 2017 (Sun)

Miroku (Maitreya) Mandala (detail), Kamakura period, 13th century (Important Cultural Property, Lent by Reiunji, Tokyo)

Thematic Exhibition

Treasures of Reiunji Temple, Place of Prayer for the Shogunate

2nd floor
Room T2

April 25, 2017 (Tue) - June 4, 2017 (Sun)

Reiunji temple, located in the Yushima area of Tokyo, was founded by the priest Jogon (1639–1702) in the year 1691. This thematic exhibition presents exquisite objects from Reiunji together with related articles from the Museum’s collection, introducing visitors to the importance of this temple and its treasures, and to the accomplishments of its founding priest, Jogon.

Current exhibit includes:
Mantra of the Buddha Mahavairocana of the Womb Realm in Sanskrit, By Jogon, Edo period, 17th century (Lent by Reiunji, Tokyo)
Mandala of the Two Realms, Edo period, 17th century (Lent by Reiunji, Tokyo)
Miroku (Maitreya) Mandala, Kamakura period, 13th century (Important Cultural Property, Lent by Reiunji, Tokyo)
Annotated Sutras, By Jogon, Edo period, dated 1694 (on exhibit through May 14, 2017)
The Three Elements of Sanskrit (The forms, pronunciations, and meanings of Sanskrit characters) , Compiled by Jogon, Edo period, dated 1682 (on exhibit from May 16, 2017)

Details

1st floor: Genre Exhibits

Japanese Sculpture

1st floor: Genre Exhibits
Room 11

April 18, 2017 (Tue) -
July 23, 2017 (Sun)
Lacquerware

1st floor: Genre Exhibits
Room 12

March 22, 2017 (Wed) -
June 18, 2017 (Sun)
Metalwork: Ornamentation in Buddhism

1st floor: Genre Exhibits
Room 13

April 11, 2017 (Tue) -
June 11, 2017 (Sun)
Japanese Swords

1st floor: Genre Exhibits
Room 13

April 25, 2017 (Tue) -
July 17, 2017 (Mon)
Ceramics

1st floor: Genre Exhibits
Room 13

March 22, 2017 (Wed) -
June 11, 2017 (Sun)
Thematic Exhibition

Kaiseki Wares

1st floor: Genre Exhibits
Room 14

April 18, 2017 (Tue) -
May 21, 2017 (Sun)
Records of History: The Japanese word hinagata

1st floor: Genre Exhibits
Room 15

April 18, 2017 (Tue) -
June 11, 2017 (Sun)
The Prayers of the Ainu People

1st floor: Genre Exhibits
Room 16

March 22, 2017 (Wed) -
June 11, 2017 (Sun)
Conservation and Restoration

1st floor: Genre Exhibits
Room 17

April 15, 2014 (Tue) -
March 31, 2020 (Tue)
Modern Art

1st floor: Genre Exhibits
Room 18

April 18, 2017 (Tue) -
May 28, 2017 (Sun)
Creation Process of Bingata

1st floor: Genre Exhibits
Room 19

April 18, 2017 (Tue) -
August 5, 2018 (Sun)

Standing Amida Nyorai (Amitabha) (detail), Kamakura period, 13th century (On exhibit from May 9, 2017)

Japanese Sculpture

1st floor: Genre Exhibits
Room 11

April 18, 2017 (Tue) - July 23, 2017 (Sun)

This gallery introduces the history of sculptural art in Japan through prototypical wood-sculptures featuring examples dating from the Heian and Kamakura periods, the zenith of Japanese sculpture.

Current exhibit includes:
Fugen Bosatsu (Samantabhadra) on Elephant, Heian period, 12th century (National Treasure, Lent by the OKURA MUSEUM OF ART, Tokyo, On exhibit from May 9, 2017)
Standing Sho Kannon Bosatsu (Aryavalokitesvara), Heian period, 9th-10th century (Important Cultural Property, Lent by Kanshinji, Osaka, On exhibit from May 9, 2017)
Standing Juni Shinsho (Twelve Heavenly Generals), Kamakura period, 12th-13th century (Important Cultural Property, Lent by Sogenji, Kanagawa, On exhibit from May 9, 2017)

Writing Box, Mount Hatsuse design in maki-e lacquer, Muromachi–Azuchi-Momoyama period, 16th century (Important Cultural Property)

Lacquerware

1st floor: Genre Exhibits
Room 12

March 22, 2017 (Wed) - June 18, 2017 (Sun)

Features maki-e works from Heian to Edo period. The exhibit shows the history and beauty of maki-e, a unique lacquerwork method that developed in Japan.

Current exhibition includes:
Writing Box, Mount Hatsuse design in maki-e lacquer, Muromachi–Azuchi-Momoyama period, 16th century (Important Cultural Property)
Writing Box, Mount Hira design in maki-e lacquer, By Shiomi Masanari Edo period, 18th century (Important Cultural Property)
Sutra Box, Dragon coiled around sword design in maki-e lacquer, Heian period, 12th century (National Treasure, Lent by Taimadera Okuno'in, Nara)
Tebako (Cosmetic box) and Contents, Paulownia design in maki-e lacquer, Donated to the shrine in Nanbokucho period, dated 1390 (National Treasure, Lent by Kumano-hayatama Taisha, Wakayama)

Ban (Buddhist ornamental banners), With beaded decorations (detail), Muromachi period, dated 1485 and 1492

Metalwork: Ornamentation in Buddhism

1st floor: Genre Exhibits
Room 13

April 11, 2017 (Tue) - June 11, 2017 (Sun)

Decoration in Buddhism involves sumptuous representations of Buddhas, as well as ritual interiors of temple halls. The adornments used for this purpose are known collectively in Japanese as shogongu. This exhibition introduces Buddhist ritual implements such as containers for sarira, or literally, “Buddha’s relics,” together with items for esoteric Buddhist altars, and interior decor including ritual banners and pendent floral openwork ornaments. The works present an overview of multifarious metalwork techniques such as casting, carving, and forging.

Current exhibit includes:
Keman (Pendent ornament), Lotus flower design, Kamakura period, 13th century (Important Cultural Property, Lent by Kongorinji, Shiga)
Ban (Buddhist ornamental banners), With beaded decorations, Muromachi period, dated 1485 and 1492
Mandalas of the Two Realms, Kamakura period, dated 1194 (Important Cultural Property, Lent by Tokumanji, Ibaraki, on exhibit through June 4, 2017)

Katana SwordKnown as "Nakigitsune" (detail), By Kuniyoshi, Kamakura period, 13th century (Important Cultural Property, Gift of Mr. Watanabe Seiichiro)

Japanese Swords

1st floor: Genre Exhibits
Room 13

April 25, 2017 (Tue) - July 17, 2017 (Mon)

Exhibits selected swords and sword-fittings from the Heian to Edo periods, including the Katana Sword, Known as “Nakigitsune”, By Kuniyoshi.

Current exhibit includes:
Katana SwordKnown as "Nakigitsune", By Kuniyoshi, Kamakura period, 13th century (Important Cultural Property, Gift of Mr. Watanabe Seiichiro)
Tachi Sword, Known as "Okada giri", By Yoshifusa, Kamakura period, 13th century (National Treasure)
Sword Guard, Tomoe (comma shapes) design in openwork, By Nobuie, Azuchi–Momoyama period, 16th century (Important Cultural Property, on exhibit from May 9, 2017)

Large Dish, Cherry blossom and figure design in overglaze enamel, Imari ware, Edo period, 18th century

Ceramics

1st floor: Genre Exhibits
Room 13

March 22, 2017 (Wed) - June 11, 2017 (Sun)

From Japan's first glazed ceramics of the Nara period to the various wares of the late Edo period, the exhibits will introduce the history of Japanese ceramics through masterworks according to time period and production sites.

Current exhibit includes:
Large Jar, With fire marks, Bizen ware, Azuchi-Momoyama–Edo period, 16th–17th century
Squat Flower Vase, Shigaraki ware, Muromachi period, 16th century (Private collection)
Bowl, Cherry blossom and maple design in overglaze enamel; with a trumpet-shell seal, By Nin'nami Dohachi, Edo period, ca. mid–19th century (Important Art Object, Private collection)
Bowl, Cherry tree design in openwork and overglaze enamel, By Nin'nami Dohachi, Edo period, 19th century
Large Dish, Cherry blossom and figure design in overglaze enamel, Imari ware, Edo period, 18th century
Water Jar, with Lugs, Brown glaze, Takatori ware, Edo period, 17th century (Private collection)
Tea Caddy in Bunrin (Apple) Shape, Black glaze; known as "Mochizuki", Satsuma ware, Edo period, 18th century (Gift of Mr. Matsunaga Yasuzaemon)

Kaiseki Table Ware, Fishnet design (detail), By Nakamura Sotetsu V, Edo period, dated 1801

Thematic Exhibition

Kaiseki Wares

1st floor: Genre Exhibits
Room 14

April 18, 2017 (Tue) - May 21, 2017 (Sun)

Kaiseki refers to cuisine offered to guests at a tea ceremony event. Initially, the style of kaiseki cuisine was simple and plain, but the number of dishes gradually increased over time. Today, many types of vessels are utilized according to the course, such as bowls, small dishes known as mukozuke, other dishes and shallow bowls, plates, sake flasks, and sake cups. Lacquer and ceramic wares have been traditionally used for kaiseki meals, and this exhibition features a full set of lacquer kaiseki ware by Nakamura Sotetsu V, together with ceramic wares cherished in tea ceremony settings.

Current exhibit includes:
Kaiseki Table Ware, Fishnet design, By Nakamura Sotetsu V, Edo period, dated 1801
Bowl, Wagtail design, Mino ware, Nezumi Shino type, Azuchi-Momoyama–Edo period, 16th–17th century (Important Cultural Property)
Covered Dish, Fan shape, Mino ware, Oribe type, Edo period, 17th century
Large Dish, Reed design in underglaze iron, Karatsu ware, Azuchi-Momoyama–Edo period, 17th century (Important Cultural Property, Lent by the Agency for Cultural Affairs)
Hexagonal Dish with Handles, Kosometsuke type, Carriage and figure design in underglaze blue, Jingdezhen ware, China, Ming dynasty, 17th century (Gift of Mr. Hirota Matsushige)

Details

Models of Traditional Sweets (detail), Edo period, 19th century (Gift of Mr. Sakakibara Yoshino)

Records of History: The Japanese word hinagata

1st floor: Genre Exhibits
Room 15

April 18, 2017 (Tue) - June 11, 2017 (Sun)

The Japanese word hinagata denotes miniature reproductions, prototypes, formats, or models of style or form. This exhibition introduces the world of hinagata through illustrious varieties, including models for popular designs of the time, and representations of traditional artistic techniques.

Current exhibit includes:
Model of Hiunkaku (Flying cloud pavilion), Edo period, 19th century
Miniature Models of Inuoumono (Dog chasing) of the Takeda School, Edo period, 19th century (Gift of Mr. Tokugawa Muneyoshi)
Reproduction of Heike Nokyo Sutra, By Chomei Anshun and others Original: Itsukushima Shrine, Dated 1882-84, Original: Heian period, dated 1164

Wooden Figurine, Sakhalin Uilta, 19th century (Gift of Ms. Hirako Hatsu)

The Prayers of the Ainu People

1st floor: Genre Exhibits
Room 16

March 22, 2017 (Wed) - June 11, 2017 (Sun)

The Ainu people believed that everything in their rich natural environment, from the vast plateaus of their native northern landscapes to the infinite expanse of the ocean, possessed a soul. Things which were essential to human life and beyond human capability were regarded as deities and worshipped. The Ainu believed that a stable lifestyle would be impossible without the provision and protection of the gods. They prayed for a life of continued peace, and held rituals to verbally express their gratitude toward the gods for heeding their prayers.
This exhibition features ritual items used by the Ainu people, including crowns and necklaces, as well as implements such as inau, iku-pasui, and wooden figurines. There are also various implements that were used in the ceremonial sacrifices of bears. Together with paintings of Ainu, these objects give us insight into how the Ainu people prayed to their gods.

Current exhibit includes:
Sea Turtle Skull, Hokkaido Ainu, 19th century
Sash for Shaman, Sakhalin Ainu, 19th century (Gift of the Hokkaido Administration Office)
Ritual Staffs, Hokkaido Ainu, 19th century (Transferred from the Bureau for the Vienna World Exposition)
Wooden Figurine, Sakhalin Uilta, 19th century (Gift of Ms. Hirako Hatsu)
Accessories for Bear Cub, Sakhalin Ainu, 19th century (Gift of Mr. Tokugawa Yorisada)
Ritual Hoe-shaped Crest, Excavated at Sakurayama, Kakuta, Kuriyama-cho, Hokkaido, 19th century (Gift of Mr. Oda Katsukichi and Mr. Izumi Rintaro)
Portrait of Tobu, the Chieftain of Monbetsu, Ezo, By Attributed to Kakizaki Hakyo, Edo period, dated 1783

Conservation and Restoration

1st floor: Genre Exhibits
Room 17

April 15, 2014 (Tue) - March 31, 2020 (Tue)

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The preservation and conservation of cultural properties are essential aspects of our Museum's mission. From this point of view, this room features object research and examination, environmental maintenance of storage and exhibition rooms, and conservation procedures applied in accordance to materials and conditions of the objects.

Portrait of Madame H (detail), By Wada Eisaku, Dated 1911 (Gift of Mr. Hatano Mototake)

Modern Art

1st floor: Genre Exhibits
Room 18

April 18, 2017 (Tue) - May 28, 2017 (Sun)

This gallery features paintings and sculptures from the Meiji to Taisho period. Since it first opened in 1872 as the exposition venue of the Ministry of Education, Tokyo National Museum has collected important artworks that signify the development of modern Japanese art. The exhibit consists of selected works from the collection.

Current exhibit includes:
The Tale of the King Wenhui and the Cook Ding, By Yokoyama Taikan, Dated 1914
Portrait of Madame H, By Wada Eisaku, Dated 1911 (Gift of Mr. Hatano Mototake)
Woman, By Ogiwara Morie, Mold: 1910; cast: 2010
Eagle, By Suzuki Chokichi, Dated 1892 (Important Cultural Property, Gift of Japan Delegate Office for World's Columbian Exposition, Chicago)

Bingata Garment with Peony Design on White Cotton, Second Sho dynasty, Ryukyu kingdom, 19th century *The Original artifact will be on display from July 25th to September 3rd 2017 in Gallery 16 of the Honkan (Japanese Gallery).

Creation Process of Bingata

1st floor: Genre Exhibits
Room 19

April 18, 2017 (Tue) - August 5, 2018 (Sun)

This year’s reproduction project features a garment from Okinawa, made by using the island’s traditional bingata dyeing technique. With a mass of colorful peony flowers, buds, and leaves, all dyed on a white background, the original work is entitled: Bingata Garment with Peony Design on White Cotton. The intricate design structure and vivid colors gave our team ample opportunity to explore this superb dyeing technique that blossomed in the 19th-century Ryukyu Kingdom in Okinawa. What kind of dyeing techniques allow such minutely-detailed flower petals and leaf shapes, and what kind of culture nurtured the colorful style of bingata? This display explores answers to these questions through a combination of research, fieldwork, and hands-on reproduction.

Details

Exhibitions

April 25, 2017 (Tue), Japanese Gallery (Honkan)

2nd floor "Highlights of Japanese Art"

The Dawn of Japanese Art: Jomon, Yayoi and Kofun periods

The Rise of Buddhism: Asuka - Nara period

National Treasure Gallery: Jeweled Pagoda Mandala, Sovereign Kings of the Golden Light Sutra written in gold to form the pagoda

Buddhist Art: Heian - Muromachi period

Courtly Art: Heian - Muromachi period

Zen and Ink Painting: Kamakura - Muromachi period

The Art of Tea Ceremony

Attire of the Military Elite: Heian - Edo period

Folding Screens and Sliding Door Paintings: Azuchi-Momoyama - Edo period

2017 Newly Designated National Treasures and Important Cultural Properties

Noh and Kabuki: Bugaku Costumes

Ukiyo-e and Fashion in the Edo Period: Fashion

Ukiyo-e and Fashion in the Edo Period: Ukiyo-e

2nd floor

Netsuke: The Prince Takamado Collection

2nd floor

Treasures of Reiunji Temple, Place of Prayer for the Shogunate

1st floor: Genre Exhibits

Japanese Sculpture

Lacquerware

Metalwork: Ornamentation in Buddhism

Japanese Swords

Ceramics

Kaiseki Wares

Records of History: The Japanese word hinagata

The Prayers of the Ainu People

Conservation and Restoration

Modern Art

Creation Process of Bingata

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