Copy, Create, Preserve: Records of Archaeological Objects in Modern Japan

Photos and reproductions that provide information frequently appear in the display of archaeological objects as important materials for deepening our understanding of historical ruins and artifacts. Many of the paintings and reproduced objects on display in this exhibition were commissioned from painters and artisans during the Taisho and early Showa eras (roughly 1913 - 1935). With historical ruins depicted in oil paintings, and artifacts copied as reproductions, these "records" recreate the atmosphere of that time period. They also reveal how reproductions and paintings were used in ingenious ways to display archaeological findings.

The relationship between artists and archaeologists at the time, as well as changes in exhibition styles, can be seen from the production methods and techniques that are evident in these materials. It is also interesting to note the difference between the Taisho era, in which researchers strived to understand current archaeological situations, and the early Showa era, in which they focused on recreating the past. In addition, the reproductions, which were created by changing base materials and techniques, show how artisans and archaeologists cooperated to achieve the aims of recreating the past through reproductions, and of disseminating the field of archaeological studies.

These records held by the Tokyo National Museum are evidence of how artists, artisans and archaeologists continued efforts to "preserve" cultural properties by repeatedly "copying and creating." In this sense, the materials on display are a precious resource that tells a story of the relationship between archaeology and art at museums.