Chinese Buddhist Sculpture
1st floor Room 1
April 10, 2018 (Tue) -
April 7, 2019 (Sun)
July 16, 2018 (Mon), Asian Gallery (Toyokan)
The galleries feature art and artifacts from regions including China, Korea, Southeast Asia, Central Asia, India, and Egypt.
1st floor
Seated Buddha, China, Sixteen Kingdoms period, 4th century
Chinese Buddhist Sculpture
1st floor Room 1
April 10, 2018 (Tue) - April 7, 2019 (Sun)
This section mainly features stone or gilt bronze Buddhist statues from about the 6th to the 8th century. The statues on display present the exquisite form of sculptures from the golden era of Buddhist statues in China.
Current exhibit includes:
Seated Buddha, China, Sixteen Kingdoms period, 4th century
Standing Avalokitesvara, China, Northern Wei dynasty, dated 524
Seated Bodhisattva with One Leg Pendent and Four Attendants, China, Northern Qi dynasty, 6th century
Standing Buddha Triad, China, Eastern Wei dynasty, 6th century, Important Cultural Property
Ekadasamukha in a Niche, Baoqingsi temple, Xi'an, Shaanxi province, China, Tang dynasty, 8th century (Important Cultural Property, Gift of Mr. Hosokawa Moritatsu)
2nd floor
Large Dry Lacquer Vessel, Attributed provenance: Hui County, Henan Province, China, Warring States period, 5th–3rd century BC (Important Art Object, Lent by the OKURA MUSEUM OF ART, Tokyo)
Large Dry Lacquer Vessel
2nd floor Room 2
April 10, 2018 (Tue) - March 31, 2019 (Sun)
Large Dry Lacquer Vessel, Attributed provenance: Hui County, Henan Province, China, Warring States period, 5th–3rd century BC (Important Art Object, Lent by the OKURA MUSEUM OF ART, Tokyo)
Tomb Relief of Iny (detail), Excavated at Saqqara, Egypt, Old Kingdom (6th dynasty, around the reign of Pepi II), 2254–2194 BC
Artifacts from West Asia and Egypt
2nd floor Room 3
May 15, 2018 (Tue) - July 29, 2018 (Sun)
This part intrduces artifacts from West Asia and Egypt, known as the cradle of the earliest civilization.
Current exhibit includes:
Jar with Wavy Handles, Excavated in Egypt, Predynastic period, 4th millennium BC (Gift of Mr. B. Dean)
Tomb Relief of Iny, Excavated at Saqqara, Egypt, Old Kingdom (6th dynasty, around the reign of Pepi II), 2254–2194 BC
Foundation Peg with a God Figure, Excavated in southern Iraq, Sumerian Early Dynastic period, 25th–24th century BC
Battle Axe, Excavated in Luristan, Iran, Late 2nd–early 1st millennium BC
Glazed Tiles, Iron Age, 8th–7th century BC
Pyxis with Gold Ornamentation, Excavated in Alexandria, Egypt or Italy, 1st century BC–1st century AD (Private collection)
Dish with Humped Bull Design, Excavated in Iran, Late Hellenistic–Parthian period, second half of 3rd–first half of 1st century BC
Large Jar, Blue glaze, Excavated in Iran, Islamic period, 13th–14th century
Preaching Buddha, Kushan dynasty, 3rd century
Sculptures from India and Gandhara
2nd floor Room 3
June 26, 2018 (Tue) - June 23, 2019 (Sun)
This part mainly features Buddhist statues from Gandhara (northwestern Pakistan) and Mathura (northern, central India) from the 2nd to the 5th century. The wide variety of sculptures on display is a notable feature.
Current exhibit includes:
Seated Buddha, Kushan dynasty, 2nd–3rd century
Worship of the Bowl; Cross-legged Bodhisattvas, 3rd–4th century (Gift of Ms. Yano Tsuruko)
Preaching Buddha, Kushan dynasty, 3rd century
Fragment of Relief Sculpture: Yakshini, Kushan dynasty, 2nd–3rd century (Gift of Mr. Kato Hiroshi)
Head of Bodhisattva, Kumtura caves, China, Otani collection, 7th–8th century
Art of the Western Regions
2nd floor Room 3
June 19, 2018 (Tue) - July 29, 2018 (Sun)
This part introduces art of the Western Regions (Central Asia) from about the 1st to the 10th century, with a focus on Buddhist art. The highlight of this part is the rich variety of works with high artistic and historical significance.
Current exhibit includes:
Head of Bodhisattva, China, Otani collection, 7th–8th century
Head of Bodhisattva, Kumtura caves, China, Otani collection, 7th–8th century
Head of Bodhisattva, Tumushuk, China, Pelliot collection, 4th–5th century, Acquired through exchange with Musee Guimet
3rd floor
Roof Tile, Taotie design, Warring States period (Yan state), 5th–4th century BC
The Advent of Chinese Civilization
3rd floor Room 4
June 5, 2018 (Tue) - October 14, 2018 (Sun)
This section focuses on pottery and jade objects from about 3000 BC to AD 200. The items on display present the beauty that ancient Chinese people pursued in the form and color of pottery, as well as the characteristic luster of jade.
Current exhibit includes:
Oracle Bones, Excavated at Yinxu, Anyang, Henan province, China, Shang dynasty, 13th–11th century BC
Jade Axe, Neolithic period, 3rd millennium BC
Jade Bi Ornament, Dragon design, Warring States period-Western Han dynasty, 4th–2nd century BC
Roof Tile, Taotie design, Warring States period (Yan state), 5th–4th century BC
Bu Jar, Taotie design, China, Shang dynasty, 13th-11th century BC (Gift of Ms. Sakamoto Kiku)
Chinese Bronzes
3rd floor Room 5
June 26, 2018 (Tue) - November 18, 2018 (Sun)
This part focuses on Chinese bronzes from about 1800 BC to AD 1000. The changing shapes and designs of the bronzes on display provide clues to the thoughts and shifting religious beliefs of ancient Chinese.
Current exhibit includes:
Sword, China, Spring and Autumn-Warring States period, 6th-5th century BC
Bu Jar, Taotie design, China, Shang dynasty, 13th-11th century BC (Gift of Ms. Sakamoto Kiku)
Bo Bell, Coiling dragon design, China, Warring States period, 5th century BC (Gift of Ms. Sakamoto Kiku)
Vase with Dragon Handles, Three-color glaze with applied ornaments, China, Tang dynasty, 8th century Important Cultural Property, Gift of Dr. Yokogawa Tamisuke)
Burials in China
3rd floor Room 5
June 5, 2018 (Tue) - October 21, 2018 (Sun)
This part introduces burial items of tombs from about the 2nd century BC to the 8th century AD. Mingqi are models of various implements and equipment, such as cooking stoves, vehicles including carriages and oxcarts, and even toilets. Tomb figures are models of humans who served a master, such as servants and entertainers. The objects on display present the idealized lifestyle that people of this time entrusted to mingqi and tomb figures.
Current exhibit includes:
Woman, With pigment, China, Western Han dynasty, 2nd century BC (Gift of Mr. Hirota Matsushige)
Vase with Dragon Handles, Three-color glaze with applied ornaments, China, Tang dynasty, 8th century Important Cultural Property, Gift of Dr. Yokogawa Tamisuke)
Tomb Guardian, Three-color glaze, China, Tang dynasty, 7th-8th century (Gift of Dr. Yokogawa Tamisuke)
Jar, Fish and water plant design in underglaze blue, Jingdezhen ware, China, Yuan dynasty, 14th century (Important Cultural Property, Gift of Mr. Tanaka Yoshio)
Chinese Ceramics
3rd floor Room 5
May 22, 2018 (Tue) - September 2, 2018 (Sun)
This part presents the changing expressions of Chinese ceramics from the 7th to the 19th century.
Current exhibit includes:
Ewer with Phoenix Head, White porcelain, Tang dynasty, 7th century (Important Cultural Property, Gift of Dr. Yokogawa Tamisuke)
Ewer, Celadon glaze with carved peony design, Longquan ware, China, Ming dynasty, 15th century (Important Art Object, Private collection)
Jar, Fish and water plant design in underglaze blue, Jingdezhen ware, China, Yuan dynasty, 14th century (Important Cultural Property, Gift of Mr. Tanaka Yoshio)
Lidded Jar, Lion design in overglaze enamel, Qing dynasty, 17th–18th century
Foiled Plate, Silver with flowers and butterflies, Northern Song - Southern Song dynasty, 11th–12th century
Cup with Foliate Rim, Gilt silver; plum blossom design, Song dynasty, 12th–13th century
Textile Fragment, Gauze weave with embroidery; design of a floral arabesque and children on a red ground (detail), Ming dynasty, 14th–15th century
Chinese Textiles: Embroidery
3rd floor Room 5
July 3, 2018 (Tue) - September 30, 2018 (Sun)
In China, embroidery with silk thread and fabric was standard. Specific techniques, the texture of the thread, and the way color was used, however, changed over time, giving embroidery from different historical period unique qualities. While certain techniques such as the “couching stitch” (in which thread is tied down to the fabric with loops of thinner thread) and “outline stitch” (for making lines of varying thicknesses) were used through the ages, others were particular to a specific time. One such example is a technique that gives the embroidered pattern a “net-like” appearance; it was popular in the Ming dynasty (1368–1644) but later fell into disuse. Another appealing quality of embroidery is the ability to create various textures as well as thick patterns with a three-dimensional appearance by combining different techniques.
This exhibition shows the beauty and variety of Chinese embroidery, displaying decorative accessories that enriched people’s lives, with a focus on embroidered works from the Ming and Qing dynasties (1369–1912).
Current exhibit includes:
Altar Cloth, Flowering plant design in needle-looped embroidery on a stitched multicolor damask ground, Ming dynasty, 16th century
Textile Fragment, Gauze weave with embroidery; design of a floral arabesque and children on a red ground, Ming dynasty, 14th–15th century
4th floor
Stone Bas-relief, Procession of chariots / Building for ancestral rituals, From Xiaotangshan, Shandong province, China, Eastern Han dynasty, 1st–2nd century
Stone Relief Carvings of China
4th floor Room 7
April 10, 2018 (Tue) - March 31, 2019 (Sun)
In the 2nd century BC, Chinese tombs were not simply holes in the ground. They developed to have walls and ceilings, with a structure almost like underground mansions. Tombs also appeared that had shrines built above ground for the bereaved families to perform rituals. Particularly in Shandong province and southern Henan province, sturdy stone was favored for making the tombs and shrines, with the stone surfaces used for carving images. Many of these stone bas-reliefs were created until the second half of the 2nd century in the Eastern Han dynasty.
Current exhibit includes:
Stone Bas-relief, Procession of chariots / Building for ancestral rituals, From Xiaotangshan, Shandong province, China, Eastern Han dynasty, 1st–2nd century
Stone Bas-relief, Toad / Emperor Yu, etc., From Xiaotangshan, Shandong province, China, Eastern Han dynasty, 1st–2nd century
Stone Bas-relief, Building / Tinglan and the wooden doll, etc., From Xiaotangshan, Shandong province, China, Eastern Han dynasty, 1st–2nd century
Traveling through Autumn Mountains (detail), By Xiao Yuncong, China, Qing dynasty, dated 1657 (Important Cultural Property)
Chinese Painting: Landscapes from the Ming and Qing Dynasties: The Lineage of Paintings in Light Color
4th floor Room 8
June 26, 2018 (Tue) - July 29, 2018 (Sun)
During the Ming and Qing dynasties, a lavish urban culture flourished in Suzhou, Shanghai, and Yangzhou, in the Giyangnan area in China. Landscape paintings with light color in a refined style became popular among the literati who lived in these cities. Such use of color was, however, not uniform, as it reflected each city's taste: It was thoroughly noble in Suzhou, showed slightly eccentric flavor in Songjiang, and reflected a pursuit of opulent expression in Yangzhou. Chinese landscape painters at the time also became sensitive to the depiction of light through influence from Western paintings, and their work shows how they interpreted this Western influence. This exhibition outlines the lineage of such landscape paintings in light color from the 16th to the 19th century.
Current exhibit includes:
Old Temple in the Mountains, By Gu Dashen, China, Qing dynasty, dated 1662 (Private collection)
Lush Pine and Layered Ridges after Cao Zhibai, By Qian Du, China, Qing dynasty, dated 1813 (Private collection)
Traveling through Autumn Mountains, By Xiao Yuncong, China, Qing dynasty, dated 1657 (Important Cultural Property)
Landscape, By Cha Shibiao, China, Qing dynasty, 17th century
Boating among Mountains, By Lu Wei, China, Qing dynasty, dated 1697 (Private collection)
Amidst a Mountain of Pines, By Gao Fenghan, China, Qing dynasty, dated 1734
Miaosha jing Sutra in Standard Script (detail), By Emperor Shenzong, China, Ming dynasty, dated 1601 (Gift of Mr. Ichikawa Sanken)
Chinese Calligraphy: Chinese Calligraphy Imported to Japan in the Edo Period
4th floor Room 8
June 26, 2018 (Tue) - August 26, 2018 (Sun)
The literatus Ichikawa Beian (1779-1858) excelled at the study of Confucianism and was one of the “three great calligraphers of the Late Edo period,” along with Maki Ryoko and Nukina Suo. He was renowned as the best of the three, having more than five thousands pupils. He intensively collected calligraphy inscribed on bronze and stone that was imported from China through the port at Nagasaki, and published the Illustrated Catalogue of Chinese Calligraphy, Paintings and Stationery from the Shozanrindo Collection. Some works from Beian’s collection were donated to Tokyo National Museum by his descendants in the Meiji era (1868-1912), and now serve as invaluable reference materials for understanding the culture of the Edo period.
Current exhibit includes:
Illustrated Catalogue of Chinese Calligraphy, Paintings and Stationery from the Shozanrindo Collection, Compiled by Ichikawa Beian, Edo period, dated 1848
Miaosha jing Sutra in Standard Script, By Emperor Shenzong, China, Ming dynasty, dated 1601 (Gift of Mr. Ichikawa Sanken)
Octave in Five-character Phrases in Cursive Script, By Wang Jianzhong, China, Ming dynasty, 16th century (Gift of Mr. Ichikawa Sanken)
Poem in Four Lines of Seven-character Phrases in Running Script, By Jiudaoren, China, Ming dynasty, 17th century (Gift of Mr. Ichikawa Santei)
Brush Pot, Eighteen arhats design, China, Qing dynasty, 18th century (Gift of Mr. Hirota Matsushige)
Chinese Literati
4th floor Room 8
June 26, 2018 (Tue) - August 26, 2018 (Sun)
The literati were people who devoted themselves to reading, calligraphy, painting, and other fine arts. In China, their way of life was traditionally held as an ideal. This exhibit recreates the studies of literati, where calligraphy and painting of China were born.
Current exhibit includes:
Inkstones, Butterfly wing shape, Formerly owned by Ji Yun, China, Qing dynasty, 18th century (Gift of Mr. Takashima Kikujiro)
Brush Pot, Eighteen arhats design, China, Qing dynasty, 18th century (Gift of Mr. Hirota Matsushige)
Five Characters for Plaque in Clerical Script, By Yi Bingshou, China, Qing dynasty, dated 1812 (Gift of Mr. Takashima Kikujiro)
5th floor
Cup Stand, Dragon and cloud design in colored lacquer inlay, China, Qing dynasty, Qianlong era (1736–95)
Chinese Lacquerware
5th floor Room 9
June 5, 2018 (Tue) - September 2, 2018 (Sun)
This part introduces the various methods and designs in Chinese lacquerware. Lacquerware is a form of decorative art made by applying lacquer sap on vessels and utensils, a practice which developed widely in China, Japan, Korea, and the Southeast Asian regions, in techniques and designs unique to each area. China, in particular, has a history of lacquerware of as long as 7000 years.
Current exhibit includes:
Spittoon with Pointed Foliate RimRed lacquer, China, Southern Song-Yuan dynasty, 13th–14th century
Covered Box, Dragon and cloud design in carved red lacquer, China, Ming dynasty, Xuande era (1426–35)
Cup Stand, Dragon and cloud design in colored lacquer inlay, China, Qing dynasty, Qianlong era (1736–95)
You Wine Container, Taotie design, China, Qing dynasty, 19th century (Gift of Mr. Kamiya Denbei)
Decorative Art of the Qing Dynasty
5th floor Room 9
June 5, 2018 (Tue) - September 2, 2018 (Sun)
This part introduces the decorative art of the Qing dynasty (1644 - 1912) in China, such as works of jade, cloisonne, glass, and bamboo. The items on display feature the beauty of fine technical skill and the sophisticated atmosphere of Qing-dynasty decorative art.
Current exhibit includes:
You Wine Container, Taotie design, China, Qing dynasty, 19th century (Gift of Mr. Kamiya Denbei)
Pomegranate, China, Qing dynasty, 19th century (Gift of Mr. Kamiya Denbei)
Inkstone, Formerly owned by Mr. Aoyama San'u, China, Qing dynasty, 17th–19th century (Gift of Ms. Yamano Yoshiko)
Crown, Attributed provenance: Gyeongsangnam-do, Korea, Three Kingdoms period (Gaya), 5th century (Important Art Object, Gift of the Ogura Foundation)
Polished Stone Tools and Metal Tools of Korea
5th floor Room 10
April 24, 2018 (Tue) - October 14, 2018 (Sun)
This part highlights Korean polished stone tools and metal objects that had a great influence on Japan's Yayoi culture.
Current exhibit includes:
Crown, Attributed provenance: Gyeongsangnam-do, Korea, Three Kingdoms period (Gaya), 5th century (Important Art Object, Gift of the Ogura Foundation)
Polished Stone Sickle, Excavated at Buyeo, Korea, Bronze Age, 10th-4th century BC (Gift of Mr. Sakenobu Kyokusho)
Bronze Dagger, Excavated at Ochon-ri, Pyongyang, Korea, Early Iron Age, 2nd century BC
Bronze Halberd, Attributed provenance: Ipsil-ri, Gyeongju, Korea, Proto-Three Kingdoms period, 1st century BC (Important Art Object, Gift of the Ogura Foundation)
Bird, Green glaze, Attributed provenance: Nangnang (Lelang) Tomb, Korea, Nangnang (Lelang), 1st-3rd century (Gift of the Ogura Foundation)
Bronze Ornamental Fitting, With animals, Attributed provenance: Gyeongju, Korea, Early Iron Age-Proto Three Kingdoms period, 3rd-1st century BC (Important Art Object, Gift of the Ogura Foundation)
Lacquered Cup with Handles, With inscription, Attributed provenance: Nangnang (Lelang) Tombs, Korea, Nangnang (Lelang), 1st century BC-3rd century AD (Gift of the Ogura Foundation)
Epitaph of Choe Chungheon, Goryeo dynasty, dated 1219
Headgear, With design in openwork, Attributed provenance: Changnyeong, Korea, Three Kingdoms period, 6th century (Important Cultural Property, Gift of the Ogura Foundation)
The Rises and Falls of Kings in Korea
5th floor Room 10
April 24, 2018 (Tue) - October 14, 2018 (Sun)
This part features the prosperity of kings in the Three Kingdoms period (4th century–676) in Korea, through works including items of metalwork. The diverse designs of the objects are evidence of the prosperity of the kings.
Current exhibit includes:
Saddle Fittings, Gilt bronze, Excavated at Yangsan Bubuchong Tomb, Korea, Three Kingdoms period (Silla), start of 6th century
Earring, Three Kingdoms period (Silla), 6th century (Gift of the Ogura Foundation)
Headgear, With design in openwork, Attributed provenance: Changnyeong, Korea, Three Kingdoms period, 6th century (Important Cultural Property, Gift of the Ogura Foundation)
Headdress, White-birch bark, Excavated at Yangsan Bubuchong Tomb, Korea, Three Kingdoms period (Silla), start of 6th century
Flagpole Holder for SaddleIron, Excavated at Yangsan Bubuchong tomb, Korea, Three Kingdoms period (Silla), start of 6th century
Long-necked Jar, Green glaze with arch band design, Attributed provenance: Jeollanam-do, Korea, Three Kingdoms period (Baekje), 6th-7th century (Gift of the Ogura Foundation)
Korean Ceramics
5th floor Room 10
April 24, 2018 (Tue) - October 14, 2018 (Sun)
This part introduces Korean ceramics from the Proto–Three Kingdoms period (1st century BC–3rd century AD) to the Joseon dynasty(1392–1910).
Current exhibit includes:
Long-necked Jar, Green glaze with arch band design, Attributed provenance: Jeollanam-do, Korea, Three Kingdoms period (Baekje), 6th-7th century (Gift of the Ogura Foundation)
Cinerary Urn, With stamped design, Unified Silla dynasty, first half of 8th century
Box, Celadon glaze with arabesque design in openwork, Goryeo dynasty, 12th century
Dish, White porcelain, Joseon dynasty, 15th-16th century (Private collection)
Jar, Cloud and dragon design in underglaze iron pigment, Joseon dynasty, 17th century (Gift of Ms. Shimizu Nobuko)
Equestrian Figurine, Three Kingdoms period (Silla), 5th-6th century (Important Art Object, Gift of the Ogura Foundation)
Stemmed Dish, With waterfowl ornaments, Three Kingdoms period (Silla), mid-5th century (Gift of the Ogura Foundation)
Cup with Foliate Rim, Celadon glaze with flower design in inlay, Goryeo dynasty, 13th century
Mirror, Dragon, tree, and palace design, Goryeo dynasty, 10th–14th century (Gift of Dr. Yokogawa Tamisuke)
Buddhist Art of Korea
5th floor Room 10
June 19, 2018 (Tue) - November 18, 2018 (Sun)
This part features the essence of Korean Buddhist art.
Current exhibit includes:
Flat Eave Tile, Qilin design, Excavated at Gyeongju, Korea, Unified Silla dynasty, 8th–9th century (Gift of Mr. Naito Shunpo)
Octagonal Container for Sarira (Buddhist relics), Attributed provenance: Gwangyang, Korea, Unified Silla dynasty, 8th–9th century (Important Art Object, Gift of the Ogura Foundation)
Standing Vairocana, Unified Silla-Goryeo dynasty, 9th–10th century (Gift of the Ogura Foundation)
Seated Bodhisattva with One Leg Pendent, Three Kingdoms period, 7th century (Gift of the Ogura Foundation)
Standing Buddha, Unified Silla dynasty, 8th century (Gift of the Ogura Foundation)
Mirror, Dragon, tree, and palace design, Goryeo dynasty, 10th–14th century (Gift of Dr. Yokogawa Tamisuke)
Fan, Taijitu diagram design, Naju, Jeollanam-do, Korea, 19th-20th century
Art of the Joseon Dynasty
5th floor Room 10
June 26, 2018 (Tue) - September 17, 2018 (Mon)
This part features furnishings, costumes, and accessories from Korea in the Joseon dynasty (1392–1910). While the costumes, furniture, tableware, and stationery each possessed individual beauty, their appeal was enhanced by their placement in living spaces.
Current exhibit includes:
Flowers and Butterflies, By Nam Gyeu, Korea, Joseon dynasty, 19th century (Gift of the Ogura Foundation)
Su Dongpo, By Yu Suk, Korea, Joseon dynasty, 19th century (Gift of the Ogura Foundation)
Fan, Taijitu diagram design, Naju, Jeollanam-do, Korea, 19th-20th century
Fan, Veins of paulownia leaf design, Naju, Jeollanam-do, Korea, 20th century (Gift of Dr. Yumoto Mamoru)
Water Dropper, Auspicious designs in underglaze blue, Korea, Joseon dynasty, 19th century (Gift of the Ogura Foundation)
Basement
Standing Lokesvara, Acquired through exchange with l'École française d'Extrême-Orient, Angkor period, 12th–13th century
Khmer Sculpture
Basement Room 11
May 8, 2018 (Tue) - May 6, 2019 (Mon)
This section introduces sculptures from Khmer, with a focus on stone statues from the Angkor period (9th-13th century). The Tokyo National Museum collection of Khmer sculptures, which are distinguished in both quality and quantity, was acquired in 1944 through an exchange project with the research institute l'École francaise d'Extrême-Orient.
Current exhibit includes:
Garuda Riding on Naga (Snake deity), Acquired through exchange with l'École française d'Extrême-Orient, Angkor period, 12th–13th century
Standing Vishnu, Acquired through exchange with l'École française d'Extrême-Orient, Angkor period, 12th century
Buddha Seated on Naga (Snake deity), Acquired through exchange with l'École française d'Extrême-Orient, Angkor period, 12th century
Standing Lokesvara, Acquired through exchange with l'École française d'Extrême-Orient, Angkor period, 12th–13th century
Lintel, Acquired through exchange with l'École française d'Extrême-Orient, Angkor period, 10th century
Standing Buddha, Dvaravati period, 7th–8th century (Not on exhibit from September 4, 2018, to January 1, 2019)
Gilt Bronze Statues from Southeast Asia
Basement Room 12
May 8, 2018 (Tue) - May 6, 2019 (Mon)
This part focuses on Southeast Asian gilt bronze statues of gods and Buddhist deities from the 7th to 13th century. The statues are made using the lost-wax casting process, and therefore they have common qualities in their plasticity and smoothness of form.
Current exhibit includes:
Standing Buddha, Dvaravati period, 7th–8th century (Not on exhibit from September 4, 2018, to January 1, 2019)
Buddha Seated on a Pedestal, Central Java period, ca. 8th century
Seated Mahavairocana, Central Java period, 9th–10thcentury
Standing Deity Hanuman, Angkor period, 11th century (on exhibit from January 2, 2019)
Finial for a Shaft in the Shape of Naga, Acquired through exchange with l'École française d'Extrême-Orient, Angkor period, 12th century (Not on exhibit from September 4, 2018, to January 1, 2019)
Standing Buddha, Polonnaruwa period, 12th–13th century (Not on exhibit from September 4, 2018, to January 1, 2019)
Shiva (Upper body), Excavated from Damdek, Cambodia, Angkor period, 9th century (Not on exhibit from September 4, 2018, to January 1, 2019)
Human-shaped Object, Attributed provenance: Uttar Pradesh, India, Copper Hoard culture, ca. 1500 BC
Archaeology of India and Southeast Asia
Basement Room 12
April 10, 2018 (Tue) - September 2, 2018 (Sun)
The excavated pottery and metal wares exhibited in this part clearly show the prosperity of cultures with rich regional characteristics in ancient India and Southeast Asia.
Current exhibit includes:
Human-shaped Object, Attributed provenance: Uttar Pradesh, India, Copper Hoard culture, ca. 1500 BC
Ladle with Bird Ornament, Excavated in northeastern Thailand, ca. 3rd century BC–2nd century AD
Vessel in Shape of Bucket, Excavated in Vietnam or Southern China, Nanyue dynasty, 2nd century BC
Bronze Drum, Attributed provenance: northern Thailand, 6th–5th century BC (Lent by Idemitsu Museum of Arts)
Bronze Drum, Northern Thailand, 15th–17th century (Gift of Prince Damrong, Thailand)
* Some of the exhibition cases in Room 12 of the Toyokan (Asian Gallery) will not be in use June 18-25 due to maintenance. We apologize for the inconvenience.
Shallow Bowl, Celadon glaze, Northern Thailand, 15th century (Gift of Mr. Yoshioka Ken)
Southeast Asian Ceramics
Basement Room 12
May 8, 2018 (Tue) - September 2, 2018 (Sun)
This part introduces the individual styles of ceramics made in Cambodia, Thailand, and Vietnam from the 9th to the 16th century.
Current exhibit includes:
Spittoon, Excavated at Angkor, Angkor period, 12th–14th century (Acquired through exchange with l'École française d'Extrême-Orient)
Covered Bowl, Excavated at Angkor, Angkor period, 12th–14th century (Acquired through exchange with l'École française d'Extrême-Orient)
Vase, Dark brown glaze with incised design, Excavated at Angkor, Angkor period, 12th-13th century (Acquired through exchange with l'École française d'Extrême-Orient)
Elephant-shaped Vessel, Dark brown glaze, Angkor period, 12th–13th century
Shallow Bowl, Celadon glaze, Northern Thailand, 15th century (Gift of Mr. Yoshioka Ken)
Shallow Bowl with Pointed Foliate Rim, Celadon glaze with lotus flower design, Si Satchanalai ware, Thailand, 15th century (Gift of Mr. Yamada Yoshio)
Bowl, Celadon glaze with fish and flowering plant design in underglaze iron pigment, Si Satchanalai ware, Thailand, 15th-16th century (Gift of Mr. Yamada Yoshio)
Bowl, Arabesque design in overglaze enamel, 16th century (Important Art Object)
Water Ewer in Shape of a Kundika, Arabesque design in underglaze blue, 15th–16th century (Private collection)
Large Dish, Deer and landscape design in underglaze blue, 15th–16th century (Important Art Object)
Large Dish Water buffalo design in overglaze enamel, 16th century
Kain Panjang (Waist garment), Design of flowers and birds in batik on a dark blue ground (detail), 20th century
Asian Textiles: Textile of Indonesia
Basement Room 13
July 3, 2018 (Tue) - September 30, 2018 (Sun)
From about the end of the 18th century, unique dyes and techniques for dyeing cotton with designs were used to begin the production of batik cloth. To make batik, a detailed design is applied in wax using either a metal stamp known as a cap, or a tool called a canting that pours the wax. The cotton is then dyed with indigo and a vegetable-based, dark brown soga dye.
Current exhibit includes:
Slendang (Shoulder garment), Design of floral checks and sawteeth in gold print on a parti-colored ground, 19th century
Kain Panjang (Waist garment), Design of flowers and birds in batik on a dark blue ground, 20th century
Slimut (Shoulder garment), Design of flowers and checks in warp ikat on an indigo ground, 19th–20th century
Slimut (Shoulder garment), Design of a floral pattern in warp ikat on a dark blue ground, Rote Island, Indonesia, 19th–20th century
Maharaja Ranjit Singh Seated on a Terrace, By Sikh school, India, Ca. mid–19th century
Indian Miniature Paintings
Basement Room 13
June 19, 2018 (Tue) - July 16, 2018 (Mon)
Indian miniature paintings established a uniquely meticulous, colorful, and passionate style, with various painting schools. An appeal of the paintings to viewers is the abundance of elements vividly contained each picture, such as myths, music, and nature.
Current exhibit includes:
Seated Mughal Nobleman Holding a Flower, By Lucknow school, India, End of 17th–early 18th century
Maharaja Ranjit Singh Seated on a Terrace, By Sikh school, India, Ca. mid–19th century
Model of Fishing Boat, Second half of 19th-early 20th century
Ethnic Cultures of Asia: The Sea People of Taiwan: The Traditional Culture of the Tao
Basement Room 13
April 24, 2018 (Tue) - July 16, 2018 (Mon)
Orchid Island is situated off the southeastern coast of the main island of Taiwan. The ethnic group of Tao (Yami) people, who live on this island, are said to have come across the sea from the northern Philippines. This exhibit presents the prayers and wisdom of the Tao people who have lived together with the sea on their isolated island. Current exhibit
includes:
Model of Fishing Boat, Second half of 19th-early 20th century
Necklace, Second half of 19th-early 20th century
Armor, Taiwan, Second half of 19th-early 20th century (Gift of Mr. Yamato Iwataro)