Chinese Buddhist Sculpture
1st floor Room 1
April 23, 2024 (Tue) -
April 20, 2025 (Sun)
Asian Gallery (Toyokan)
The galleries feature art and artifacts from regions including China, Korea, Southeast Asia, Central Asia, India, and Egypt.
1st floor
The Bodhisattva Mahasthamaprapta (detail), China, Sui dynasty, 6th century (Important Cultural Property)
Chinese Buddhist Sculpture
1st floor Room 1
April 23, 2024 (Tue) - April 20, 2025 (Sun)
Buddhism began to spread in China around the turn of the first millennium, about 500 years after its founding in India. In the 5th and 6th centuries, the number of Chinese Buddhists rapidly increased and numerous temples were established. This gallery presents Buddhist statues created from the 5th to 9th century, a golden age in the history of Chinese sculpture.
2nd floor
Oasis2 Education Space: Journey Information
2nd floor Room 2
April 2, 2024 (Tue) - March 31, 2025 (Mon)
Introducing various journeys with images
Fragments of a Woman's Headdress, Reportedly excavated in Thebes, Egypt New Kingdom (18th dynasty), ca. 15th century BC
Egypt and Western Asia
2nd floor Room 3
September 10, 2024 (Tue) - December 1, 2024 (Sun)
This section of the gallery features ancient art and artifacts from regions that gave rise to some of humanity’s earliest civilizations, including West Asia, Egypt, and the eastern Mediterranean. The Egyptian collection includes stoneware and earthenware objects from Pre-dynastic Egypt (circa 6000–3150 BC) as well as reliefs, mummies, and decorative art from Dynastic Egypt. Other objects frequently on view include Bronze Age burial goods from West Asia and the eastern Mediterranean, tablets bearing cuneiform script from Mesopotamia, and sculptures and pottery from ancient Iran.
Bodhisattva, Kushan dynasty, 2nd century
Sculptures from India and Gandhara
2nd floor Room 3
July 2, 2024 (Tue) - December 22, 2024 (Sun)
This gallery introduces Buddhist and Hindu sculptures from India and Gandhara. Buddhist art flourished in northern India during the Kushan dynasty (1st–3rd century). The production of Buddhist statues began in Gandhara (northwestern Pakistan) and Mathura (northern and central India) around the 1st century, with a particular emphasis on sculptures depicting the life of Gautama Buddha in Gandhara.
Buddhist Reliquary, Reportedly found in Subashi, China, Ōtani collection, 6th–7th century
Art of the Western Regions
2nd floor Room 3
September 18, 2024 (Wed) - November 4, 2024 (Mon)
This room mainly features artifacts discovered at Silk Road sites by the Japanese Ōtani expeditions at the start of the 20th century. Works are exhibited on rotation and illustrate the wide range of art and religious objects found in the diverse cultures along the Silk Road.
3rd floor
Belt Fittings with Lychees, China, Song dynasty, 11th–13th century
The Advent of Chinese Civilization
3rd floor Room 4
May 14, 2024 (Tue) - November 17, 2024 (Sun)
This section of the gallery traces the development of Chinese civilization through ancient pottery, jade objects, texts, and bronzes. The collection includes Neolithic pottery from the Loess Plateau, a range of stone tools from Northern China, jade objects and oracle-bone inscriptions from the Shang dynasty (ca. 1600–ca. 1100 BC), and roof tiles from each era.
Cooking Vessel (Ding) with Dragons
China, Shang dynasty, 13th–11th century BC (Gift of Ms. Sakamoto Kiku)
Chinese Bronzes
3rd floor Room 5
October 1, 2024 (Tue) - February 2, 2025 (Sun)
This section of the gallery focuses on bronzes, mainly from the Shang dynasty (ca. 1600–ca. 1100 BC) to the Han dynasty (206 BC–220 AD), including ritual vessels, musical instruments, weapons, and horse tack. It also features mirrors and other bronzes from Northern China, tracing the development of early Chinese aesthetics.
Stove
Found in burial chamber no. 3 near Xiongyuecheng, Yingkou city, Liaoning province, China, Eastern Han Dynasty, 2nd century
Burials in China
3rd floor Room 5
October 1, 2024 (Tue) - December 22, 2024 (Sun)
This gallery introduces burial items of tombs from about the 2nd century BC to the 8th century AD. Mingqi are models of various implements and equipment, such as cooking stoves, vehicles including carriages and oxcarts, and even toilets. Tomb figures are models of humans who served a master, such as servants and entertainers. The objects on display present the idealized lifestyle that people of this time entrusted to mingqi and tomb figures.
Stemmed Bowl with Vines
Jingdezhen ware, China, Ming dynasty, Xuande era (1426–35)
Chinese Ceramics
3rd floor Room 5
August 27, 2024 (Tue) - December 22, 2024 (Sun)
This section of the gallery explores the history of Chinese ceramics, spanning the 7th to 19th century. The objects on view are rotated on a regular basis, but typically feature examples of fine porcelain made for the imperial household at the Jingdezhen imperial kilns alongside objects produced for commercial purposes in private kilns and elsewhere.
Vest (Kanjian) with Flowers and Butterflies
China, Qing dynasty, 19th century
Chinese Textiles: Women’s Clothing of the Qing Dynasty (1644–1911)
3rd floor Room 5
October 1, 2024 (Tue) - December 22, 2024 (Sun)
The Qing dynasty was led by the Manchu people and controlled a vast area that stretched to the Mongolian Plateau. The Manchu were skilled horse riders and wore clothing that was both practical and decorative, with patterns rendered in delicate embroidery. This exhibition introduces the fashions of Qing noblewomen while exploring the dyeing and weaving techniques used to embellish their garments.
Oasis6 Education Space: Fortune-telling in Asia
3rd floor Room 6
April 2, 2024 (Tue) - March 31, 2025 (Mon)
Activity area: Fortune-telling in Asia. Recommended for visitors with children.
4th floor
Stone Bas-relief, Procession of chariots / Building for ancestral rituals, From Xiaotangshan, Shandong province, China, Eastern Han dynasty, 1st-2nd century
Stone Relief Carvings of China
4th floor Room 7
April 16, 2024 (Tue) - April 20, 2025 (Sun)
This section of the gallery features stone relief carvings from China. They were excavated from tombs found in eastern China and date to the Eastern Han dynasty (24–220 AD). The tombs consisted of a subterranean chamber to house the sarcophagus with a shrine above ground for bereaved families to perform rituals. The stone walls, pillars, and supports of these tombs were decorated with bas-relief scenes of everyday life, historical events, and contemporary belief systems.
Riverside Scenes During the Qingming Festival (detail)
Signed by Zhang Zeduan (1085–1145), China, Ming dynasty, 17th century
People and Their Customs in the Ming and Qing Dynasties
4th floor Room 8
October 1, 2024 (Tue) - November 10, 2024 (Sun)
The present exhibition features works depicting people and their customs during the Ming and Qing dynasties (1368–1644 and 1644–1911 respectively). On display here are paintings that portray intellectuals coming together to compose poetry and practice calligraphy, as well as beauties wearing gorgeous clothing and accessories. Moreover, there are also works that present the liveliness of urban living at the time, which include various merchants selling their goods on the street.
Poem in Running Script
By Zeng Guofan (1811–1872), China, Qing dynasty, 19th century (Gift of Mr. Hayashi Munetake)
Decorated Silk and Paper for Calligraphy
4th floor Room 8
October 1, 2024 (Tue) - November 10, 2024 (Sun)
Since ancient times, people in China have used paper and silk as writing materials. Following the Sui and Tang dynasties (581–618 and 618–907 respectively), the Chinese literati sought after beautiful, high-quality paper. This saw the production of processed paper that was at once practical and highly aesthetic, as well as the development of paper-making techniques to suit this demand. During the Ming and Qing dynasties (1368–1644 and 1644–1911 respectively), many kinds of decorated paper were produced, and silk was also more often used. The diverse illustrations on silk and paper from this time were mostly associated with auspiciousness, featuring motifs such as flowering plants, insects and fish, and birds and wild animals.
Fans with Painting and Calligraphy
By Lu Hui, China, Qing dynasty, 1895 (Gift of Mr. Nishibayashi Shōichi)
Chinese Literati
4th floor Room 8
October 1, 2024 (Tue) - November 10, 2024 (Sun)
The literati were people who devoted themselves to reading, calligraphy, painting, and other highly valued art forms in China. Their way of life was viewed as an ideal. This exhibition room recreates the studies of the literati, where they created works of calligraphy and painting.
5th floor
Boxes
China, Western Han dynasty, 2nd–1st century BC
Chinese Lacquerware
5th floor Room 9
October 1, 2024 (Tue) - December 22, 2024 (Sun)
Lacquer is the sap of the lacquer tree, which grows in East and Southeast Asia. Naturally sticky, it can be brushed onto different materials, and it hardens into a durable coating that is waterproof and resistant to acids, alkalis, and heat. The history of lacquerware in China dates back to the Neolithic period (ca. 10,000–2100 BC). Over the millennia, a number of decorative techniques evolved in China, including lacquer relief carving and lacquer with incised lines filled with gold leaf. Chinese lacquerware frequently feature abstract spiral patterns (called “pommel scrolls”) or pictorial scenes of landscapes, flowers, birds, pavilions, and people.
Goldfish (detail)
China, Qing dynasty, 18th–19th century (Gift of Mr. Kamiya Denbei)
Decorative Art of the Qing Dynasty
5th floor Room 9
October 1, 2024 (Tue) - December 22, 2024 (Sun)
This section of the gallery introduces decorative art from China’s Qing dynasty (1644–1912), including works of jade, cloisonné, glass, and bamboo. These works illustrate the fine craftsmanship and sophisticated design aesthetic of decorative art from this period.
Crown, Reportedly found in Gyeongsangnam-do, Korea, Three Kingdoms period (Gaya), 5th century (Important Art Object, Gift of the Ogura Foundation)
Polished Stone Tools and Metal Tools of Korea
5th floor Room 10
May 21, 2024 (Tue) - November 10, 2024 (Sun)
This section of the gallery introduces archeological artifacts from Korea, including stone and bronze weapons and sophisticated cast ornamental fittings with animal motifs. It also features mirrors, hooked belt fittings, and other items associated with the Lelang Commandery, an administrative division established by China’s Han dynasty in the northern part of the Korean Peninsula.
Necklace, Found at the Yangsan Bubuchong Tomb, Korea, Three Kingdoms period (Silla), start of the 6th century
The Rise and Fall of Kings in Korea
5th floor Room 10
May 21, 2024 (Tue) - November 10, 2024 (Sun)
This gallery presents artifacts from Korea’s Three Kingdoms period (57 BC–668 AD), an era when powerful rulers vied for control of the Korean Peninsula. The three kingdoms were comprised of Goguryeo in the north, Baekje in the southwest, and Silla in the southeast. A fourth state, known as the Gaya confederacy, also existed in the south before being annexed by Silla.
Each region made full use of the materials of the time—namely, gold, silver, bronze, iron, glass, and jade—to create distinct ornaments and other objects including, armor, horse tack, clay tiles, and pottery.
Box with a Peony, Korea, Goryeo dynasty, 12th century
Korean Ceramics
5th floor Room 10
May 21, 2024 (Tue) - November 24, 2024 (Sun)
This gallery introduces Korean ceramics from the Proto-Three Kingdoms period (ca. 1st century BC–3rd century AD) to the Joseon dynasty (1392–1910). The development of Korean ceramics during the Proto–Three Kingdoms period was influenced by the Lelang Commandery, an outpost established by China’s Han dynasty in the northern part of the Korean Peninsula. Rulers of powerful states struggled for supremacy during this period, resulting in a rich variety of distinct ceramic aesthetics in each region. Under Chinese influence, a blue-green glaze called celadon began to be produced in Korea during the Goryeo dynasty (935–1392). Over time, celadon wares took on a distinct gray-green coloring that came to be known as Goryeo celadon. The production of pottery then diversified during the Joseon dynasty to include white porcelain and Buncheong ware, a type of stoneware often featuring designs in white slip and iron pigment.
Octagonal Stupa, Reportedly found in Gwangyang, Korea, Unified Silla dynasty, 8th–9th century (Important Art Object, Gift of the Ogura Foundation)
Buddhist Art of Korea
5th floor Room 10
April 9, 2024 (Tue) - October 14, 2024 (Mon)
Buddhism began to spread on the Korean Peninsula during the 4th and 5th centuries. This section introduces Buddhist art from the Three Kingdoms period (57 BC–668 AD), the Unified Silla dynasty (669–935), and the Goryeo dynasty (935–1392), including gilt-bronze statues, bricks, roof tiles, and ritual implements.
Buddhist Monk's Outer Garment, Korea, Joseon dynasty, 19th–20th century
Art of the Joseon Dynasty
5th floor Room 10
September 18, 2024 (Wed) - January 19, 2025 (Sun)
This gallery features Korean furniture, clothing, and room decor from the Joseon dynasty (1392–1910). While the costumes, furniture, tableware, and stationery each possessed individual beauty, their appeal was enhanced by their placement in living spaces.
Basement
Garuḍa Riding a Nāga, From the Entrance of Baphuon and the Terrace of the Elephants, Cambodia, Acquired through exchange with the French School of the Far East, Angkor period, 12th–13th century
Khmer Sculpture
Basement Room 11
April 9, 2024 (Tue) - April 13, 2025 (Sun)
Cambodia’s Angkor period (ca. 9th century–15th century) saw the development of a unique Khmer culture, as epitomized by Angkor Wat, a huge temple complex built from the end of the 11th century to the 12th century during the golden age of the Khmer Empire. This section introduces Khmer sculpture, with a focus on Buddhist and Hindu statues and reliefs from Angkor’s temples. These were acquired in 1944 through an exchange project with the French research institute l'École Française d’Extrême-Orient.
Buddha Seated on a Nāga, Thailand, Rattanakosin period, 19th century
Gilt Bronze Statues from Southeast Asia
Basement Room 12
April 9, 2024 (Tue) - October 14, 2024 (Mon)
Sculptures of Hindu and Buddhist deities have been produced in Southeast Asia for millennia. Though originally inspired by Indian art, each region developed its own distinct styles. This section features gilt-bronze statues of Buddhist deities and Hindu gods from Indonesia, Cambodia, Thailand, and Myanmar.
Human-shaped Object, Reportedly found in Uttar Pradesh, India, Copper Hoard culture, ca. 1500 BC
Archaeology of India and Southeast Asia
Basement Room 12
April 9, 2024 (Tue) - February 16, 2025 (Sun)
This gallery explores India’s prehistoric culture through a variety of archaeological artifacts, from wedge-shaped stones from the early Paleolithic period over 600,000 years ago, to copper objects from the Copper Hoard culture that flourished in the 2nd millennium BC after the fall of the Indus civilization. This section also introduces a diverse range of archaeological materials from Southeast Asia, with a focus on weapons, personal ornaments, and other artifacts from the bronzeware culture that prospered in northern Thailand’s Ban Chiang region, predominantly from the 3rd century BC to the 2nd century AD.
Large Dish with a Water Buffalo, Vietnam, Previously owned by Okano Shigezō, 16th century
Southeast Asian Ceramics
Basement Room 12
July 30, 2024 (Tue) - December 1, 2024 (Sun)
This section introduces ceramics from Cambodia, Thailand, and Vietnam, with a focus on objects collected by the Japanese entrepreneur Okano Shigezō.
Cloth (Patola) with Flowers (detail)
Gujarat, India, 19th century
Asian Textiles: Cashmere Shawls
Basement Room 13
October 1, 2024 (Tue) - November 10, 2024 (Sun)
Named for the Kashmir region of northwestern India, Cashmere goats are famous for their soft and lustrous wool that was made into luxurious shawls from the 16th to 18th century. Indian weavers used a labor-intensive technique, called a tapestry weave, to weave ornate patterns into the fabric as they made it, though it was also common to use the faster technique of embroidering an already-made cloth.
As demand for cashmere shawls grew in Europe and the Middle East, Persian weavers in Iran began to supply shawls as well. This gallery presents these shawls along with the opulent clothing and carpets of the ruling elite in Persia’s Safavid dynasty (1501–1736) and India’s Mughal Empire (1526–1858).
Emperor Akbar
By the Bikaner school, India, 18th century
Indian Miniature Paintings
Basement Room 13
October 1, 2024 (Tue) - October 27, 2024 (Sun)
The art of “miniature painting” is one of India’s best-known genres. These paintings use elaborate brushwork and vibrant colors to depict a variety of themes, including: Indian myths, Hindu gods, portraits of kings, scenes from history, and love stories. Miniature paintings can also be enjoyed for their distinct regional styles that reflect India’s rich history of cultural diversity.
Necklace
Orchid Island, Taitung County, Taiwan, Second half of the 19th–start of the 20th century
People of the Sea in Taiwan
The Life and Culture of the Tao People
Basement Room 13
October 1, 2024 (Tue) - November 24, 2024 (Sun)
The Tao (Yami) people are an ethnic group living on an island situated off the southeastern coast of Taiwan, called Orchid Island. Historically, they are believed to have originally travelled there by boat from the northern Philippines. The Tao people are dedicated to preserving their culture and continue to practice their ancestral traditions. Traditional gondola-like boats that bear symbolic designs representing Tao ancestors can still be found in fishing villages on the island.
These boats are primarily used to catch flying fish, which hold religious significance in Tao culture. For the Tao people, the ocean is more than a mere fishing site—it is a sacred place for receiving blessings from the gods. This exhibition celebrates the prayers and wisdom that have grown out of the Tao people’s intense connection with the sea.
People of the Sea in Taiwan <br />The Life and Culture of the Tao People