Massive cypress trees with powerful, twisting branches seem to burst beyond the edges of the composition. The artist, Kanō Eitoku (1543–90), lived during a period marked by ruthless civil war and unprecedented artistic innovation. He enjoyed the patronage of powerful samurai warlords, noblemen, and Buddhist monks, creating countless large-scale paintings for castles, palaces, and temples.
Scholars believe the paintings here were originally mounted on sliding doors inside the mansion of the Hachijō no Miya, an important branch of the imperial family. Eitoku amplified the painting’s visual impact by limiting the number of motifs and employing vibrant, contrasting colors. This masterpiece, created in the final year of his life, embodies the unbridled energy of his time.
Woman Visiting the Shrine in the Night
Japanese Gallery (Honkan) Room 10
April 15, 2025 (Tue)–
May 11, 2025 (Sun)
Illustrated Origins of the Yakushi Sculpture at Inaba Temple
Japanese Gallery (Honkan) Room 3
April 8, 2025 (Tue)–
May 25, 2025 (Sun)
Detached Segment of Illustrated Scroll of Boy Sudhana's Pilgrimage to Fifty-five Deities: Monju Bosatsu (Manjusri)
Japanese Gallery (Honkan) Room 3
April 8, 2025 (Tue)–
May 25, 2025 (Sun)
Detached Segment of Illustrated Scroll of Boy Sudhana's Pilgrimage to Fifty-five Deities: Fugen Bosatsu (Samantabhadra)
Japanese Gallery (Honkan) Room 3
April 8, 2025 (Tue)–
May 25, 2025 (Sun)
Landscape of the Four Seasons
Japanese Gallery (Honkan) Room 3
April 8, 2025 (Tue)–
May 25, 2025 (Sun)
Morning Glories and Puppies
Japanese Gallery (Honkan) Room 7
April 8, 2025 (Tue)–
May 25, 2025 (Sun)